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Directing - Arthur Penn. Writing (Screenplay--based on material from another medium) - William Gibson. Mutiny on the Bounty. 7 NOMINATIONS. Art Direction (Color) - Art Direction: George W. Davis, J. McMillan Johnson; Set Decoration: Henry Grace, Hugh Hunt. Cinematography (Color) - Robert L. Surtees. Film Editing - John McSweeney, Jr.
- Best Picture
- Directing
- Actor
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- Actor in A Supporting Role
- Actress in A Supporting Role
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America America – Elia Kazan Cleopatra – Walter Wanger How the West Was Won – Bernard Smith Lilies of the Field – Ralph Nelson Tom Jones– Tony Richardson
America America – Elia Kazan The Cardinal – Otto Preminger Federico Fellini’s 8-1/2 – Federico Fellini Hud – Martin Ritt Tom Jones– Tony Richardson
Albert Finney – Tom Jones Richard Harris – This Sporting Life Rex Harrison – Cleopatra Paul Newman – Hud Sidney Poitier – Lilies of the Field
Leslie Caron – The L-Shaped Room Shirley MacLaine – Irma La Douce Patricia Neal – Hud Rachel Roberts – This Sporting Life Natalie Wood – Love with the Proper Stranger
Nick Adams – Twilight of Honor Bobby Darin – Captain Newman, M.D. Melvyn Douglas – Hud Hugh Griffith – Tom Jones John Huston – The Cardinal
Diane Cilento – Tom Jones Dame Edith Evans – Tom Jones Joyce Redman – Tom Jones Margaret Rutherford – The V.I.P.s Lilia Skala – Lilies of the Field
Captain Newman, M.D. – Richard L. Breen, Phoebe Ephron, Henry Ephron Hud – Irving Ravetch, Harriet Frank, Jr. Lilies of the Field – James Poe Sundays and Cybele – Serge Bourguignon, Antoine Tudal Tom Jones– John Osborne
“Call Me Irresponsible” – Papa’s Delicate Condition – Music by James Van Heusen; Lyrics by Sammy Cahn “Charade” – Charade – Music by Henry Mancini; Lyrics by Johnny Mercer “It’s A Mad, Mad, Mad, Mad World” – It’s a Mad, Mad, Mad, Mad World – Music by Ernest Gold; Lyrics by Mack David “So Little Time” – 55 Days at Peking – Music by Dimitri Tiomkin; ...
The Cardinal – Louis R. Loeffler Cleopatra – Dorothy Spencer The Great Escape – Ferris Webster How the West Was Won – Harold F. Kress It’s a Mad, Mad, Mad, Mad World– Frederic Knudtson, Robert C. Jones, Gene Fowler, Jr.
The Balcony – George Folsey The Caretakers – Lucien Ballard Hud – James Wong Howe Lilies of the Field – Ernest Haller Love with the Proper Stranger– Milton Krasner
From 1939 to 1963, it was an award for a film's visual effects as well as audio effects, so it was often given to two persons, although some years only one or the other type of effect was recognized. In 1964, it was given only for visual effects, and the following year the name of the category was changed to "Best Special Visual Effects".
Live Action and Animation. Fantastic Voyage (1966) This science-fiction classic film was the winner of the year's Academy Award for Best Achievement in Special Visual Effects. Reportedly, the post-production effects and animation lasted six months after filming, and were expensive: $200,000 of the film's $6.5 million budget.
Dec 3, 2023 · Best Academy Award for Best Visual Effects. 2. Star Wars: Episode IV - A New Hope (1977) George Lucas ' iconic space opera revolutionized special effects with the use of miniatures, optical compositing, and practical effects to create a galaxy far, far away.
36th Academy Awards. The 36th Academy Awards, honoring the best in film for 1963, were held on April 13, 1964, hosted by Jack Lemmon at the Santa Monica Civic Auditorium in Santa Monica, California. This ceremony introduced the category for Best Sound Effects, with It's a Mad, Mad, Mad, Mad World being the first film to win the award.
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The 35th Academy Awards, honoring the best in film for 1962, were held on April 8, 1963, at the Santa Monica Civic Auditorium in Santa Monica, California, hosted by Frank Sinatra . The year's most successful film was David Lean 's Lawrence of Arabia, with 10 nominations and 7 wins, including Best Picture and Lean's second win for Best Director.
