Search results
Miklòs Rozsa - Quo vadis. Jean Sébastien Mazzarino. 4.19K subscribers. 248. 14K views 8 years ago. Miklòs Rozsa - Conducting The Royal Philharmonic Orchestra and Chorus...more. Miklòs...
- 40 min
- 14.6K
- Jean Sébastien Mazzarino
Adapting Henryk Sienkiewicz's novel QUO VADIS, producer Sam Zimbalist and director Mervyn LeRoy saw an opportunity to create a great spectacle. To bolster th...
- 3 min
- 37
- FilmClassic Soundtrack
Nov 7, 2014 · Provided to YouTube by The Orchard EnterprisesQuo Vadis (Overture) · Miklos RozsaQuo Vadis (O.S.T - 1951)℗ 2011 Vintage MusicReleased on: 1951-12-02Auto-gene...
- 2 min
- 48.1K
- Miklós Rózsa - Topic
Q uo Vadis was composer Miklós Rózsa’s first biblical epic film. In 1951, the man whose name would come to be so inextricably associated with togas, swords, crosses and such, had never scored any film set more than 200 years in the past (not counting the Arabian Nights fantasy The Thief of Bagdad ).
- Pre-Recordings
- Pre-Recorded Marches
- Pre-Recorded Fanfares
- Suite of Film Fanfares
- Additional Bonus Tracks
13. Burning of Troy (recorded 4/18/50)
1. The very first music from Quo Vadisto be recorded (on April 18, Rózsa’s birthday!), this version of Nero’s song performed by baritone Robert Brink with harp accompaniment includes Hugh Gray’s complete lyric and reveals a fully developed art song that was never completely heard in the film.
25. Hail Nero (slow tempo)26. Hail Nero (medium tempo)27. Hail Nero (fast tempo)28. Hail Galba (slow version)29. Fanfares to Triumph (close)30. Fanfares to Triumph (distant)31. Fanfare A32. Fanfare D35. First, Second and Third Fanfares for Nero36. Fanfare for Wrestlers (outtake)37. Fourth Fanfare for Nero38. First and Second Arena Fanfare43. Burning of Rome
1. Rózsa recorded these “sweeteners” of the Scottish harp accompaniment to “The Burning of Rome” on August 15, 1951 in Culver City. There are two takes of the first section, then a single of the second.
44. Nero’s Suicide/Galba’s March/Finale
1. This alternate version of the concluding music uses a short insert (the last portion of “Nero’s Suicide,” recorded in Culver City on August 15, 1951) and eliminates the “mystic chords” just prior to the choral entry. — Frank K. DeWald
Quo Vadis (1951) initiated the composer's historical period. For this massive production, Hollywood's most expensive film to that date, Rózsa went back to ancient Greek sources in an effort to simulate the music of antiquity.
Abstract. From the start, MGM was determined to make the spectacular religious epic Quo Vadis as historically accurate as possible. The music was also to be as accurate as the rest of the film, and Miklós Rózsa’s score for Quo Vadis was an important early example of (and influence on) the “epic film score sound.”.
People also ask
Was Rózsa too careful in his approach to early music in Quo Vadis?
Why did MGM make Quo Vadis so accurate?
Who is Quo Vadis?
Who wrote music in quo VASIS?