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Died. 1 December 2003. (2003-12-01) (aged 71) Rome, Italy. Occupation (s) Film director, screenwriter. Fernando Di Leo (11 January 1932 – 1 December 2003) [1] was an Italian film director and script writer. He made 17 films as a director and about 50 scripts from 1964 to 1985.
Fernando Di Leo. Writer: Caliber 9. Fernando Di Leo was born on 11 January 1932 in San Ferdinando di Puglia, Puglia, Italy. He was a writer and director, known for Caliber 9 (1972), Killer contro killers (1985) and Shoot First, Die Later (1974). He was married to Maria Pia Conte. He died on 1 December 2003 in Rome, Lazio, Italy.
- Writer, Director, Actor
- January 11, 1932
- Fernando Di Leo
- December 1, 2003
The Italian Connection. The Italian Connection ( Italian: La mala ordina, lit. 'The mob orders', also released as Manhunt in the City and Manhunt in Milan) is a 1972 poliziottesco [1] film directed and co-written by Fernando Di Leo; starring Mario Adorf, Henry Silva, Woody Strode, Adolfo Celi, Luciana Paluzzi, Francesca Romana Coluzzi, Sylva ...
Sort by. Popularity. Service. Genre. Decade. Fernando Di Leo (11 January 1932 – 2 December 2003) was an Italian film director and script writer. He made 17 films as a director and about 50 scripts from 1964 to 1985. Fernando Di Leo was born on 11 January … more. More details at TMDb.
Born in San Ferdinando di Puglia, the son and grandson of lawyers, Di Leo (1932-2003) discovered noir fiction as a teenager—André Gide’s admiration for Dashiell Hammett led him to the nihilistic Red Harvest. Film noir came later with the American movies that flooded Italy after World War II. Di Leo dutifully studied law, but his heart wasn ...
Nov 30, 2011 · November 30, 2011. Episode 39: The Italian Connection (1972) Guest Co-Host: Mike Malloy. Delve into the world of Eurocrime with a look at Fernando Di Leo's The Italian Connection (AKA Hard to Kill) along with Eurocrime documentary director Mike Malloy. Links: Buy The Italian Connection on DVD. Like Eurocrime on Facebook. Order Eurocrime on DVD.
Nov 11, 2007 · With 17 films as a director and about 50 scripts from 1964 to 1985, when the inexorable crisis of Italian cinema pushed him into a forced retirement, Fernando di Leo is one of Italy’s most interesting yet underestimated personalities of the period.
