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  1. Oz Perkins
    American director, writer, and actor

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  1. en.wikipedia.org › wiki › Oz_PerkinsOz Perkins - Wikipedia

    Oz Perkins. Osgood Robert " Oz " Perkins II (born February 2, 1974) is an American actor, screenwriter, and director. Early life. Perkins was born in Manhattan, New York, the elder son of actor Anthony Perkins (April 4, 1932 – September 12, 1992) and photographer and actress Berry Berenson (April 14, 1948 – September 11, 2001).

  2. www.imdb.com › name › nm0674020Oz Perkins - IMDb

    Oz Perkins is a filmmaker and actor, born in New York City in 1974. He is the son of Anthony Perkins and has worked on projects such as The Blackcoat's Daughter, I Am the Pretty Thing That Lives in the House and Legally Blonde.

    • January 1, 1
    • 1.93 m
    • New York City, New York, USA
  3. Oz Perkins is an actor and writer, known for horror films and Legally Blonde. He is the son of Anthony Perkins and Berry Berenson, and the great-grandson of fashion designer Elsa Schiaparelli.

    • February 2, 1974
  4. Apr 28, 2024 · Oz Perkins, the son of Anthony Perkins, directs a twisty thriller about three girls trapped in a haunted boarding school. The film stars Emma Roberts, Kiernan Shipka, and Lucy Boynton, and features a chilling ambiguous ending.

    • Liam Gaughan
    • Emma Roberts
    • Oz Perkins
  5. Oz Perkins is an American actor, director, and screenwriter who is best known for directing ‘The Blackcoat’s Daughter.’ As an actor, he is comfortable with performing a variety of roles in films across the genres of comedy, thriller, romance, drama, black comedy, and supernatural horror.

  6. Feb 3, 2020 · Director Oz Perkins talks about his third feature, Gretel and Hansel, a dark and surreal adaptation of the Brothers Grimm story. He discusses his creative process, his cinematographic choices, and his feminist perspective on the film.

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  8. Mar 20, 2017 · Oz Perkins, son of Anthony Perkins, talks about his debut feature film, a horror movie about a severed connection and a mysterious girl. He discusses the title, the score, Kiernan Shipka's performance, and the poetic qualities of cinema.

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