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São Paulo, Brazil. Occupation. Actor. Years active. 1950 – 1992. Geraldo Del Rey (29 October 1930 – 25 April 1993) was a Brazilian actor. He appeared in 65 films and television shows between 1950 and 1992.
YearTitle1950Somos Dois1959Redenção1960Bahia de Todos os Santos1961A Grande FeiraGeraldo Del Rey. Actor: Change of Life. Geraldo Del Rey was born in Ilhéus, Brazil and studied dramatic art at university in Salvador. While studying he was approached by director Anselmo Duarte to play the role of Handsome in the movie The Given Word (1962), one of the most important Brazilian movies of all time.
- January 1, 1
- Ilhéus, Bahia, Brazil
- January 1, 1
- São Paulo, Brazil
Geraldo Del Rey. Actor: Change of Life. Geraldo Del Rey was born in Ilhéus, Brazil and studied dramatic art at university in Salvador. While studying he was approached by director Anselmo Duarte to play the role of Handsome in the movie The Given Word (1962), one of the most important Brazilian movies of all time.
- October 29, 1930
- April 25, 1993
Nov 13, 2023 · The film’s first half follows a young cowherd, Manuel (Geraldo Del Rey), who flees with his wife, Rosa (Yoná Magalhães), to the mountain hideout of Monte Santo after killing a rich landowner and joins the ragtag followers of St. Sebastião (Lidio Silva), the “black god.”
Aug 13, 2020 · Returning to this unnamed place, the long-gone Adelino (Geraldo Del Rey), back from fighting and then working in Angola, is not entirely surprised to feel like a stranger in his own home. His...
- Paulo Rocha
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Apr 25, 1993 · Geraldo Homem D'El Rey Silva (October 29, 1930 – April 25, 1993), better known as Geraldo Del Rey, was a Brazilian actor. In addition to "The Given Word", Del Rey starred in two classic Brazilian films: A grande feira, from 1961, directed by Roberto Pires, and "Black God, White Devil", from 1964, directed by Glauber Rocha.
Starring: Geraldo Del Rey, Lidio Silva, Maurício do Valle, Othon Bastos, Yoná Magalhães Glauber Rocha’s sophomore feature, now available in a spectacular new restoration, is a scorched-earth allegory about the blind followers of dead-end ideologies.
