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  1. Janet Suzman
    South African-British actress

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  1. en.wikipedia.org › wiki › Janet_SuzmanJanet Suzman - Wikipedia

    Dame Janet Suzman, DBE (born 9 February 1939 [1]) is a South African-born British actress who had a successful early career in the Royal Shakespeare Company, later replaying many Shakespearean roles on television.

  2. www.imdb.com › name › nm0840531Janet Suzman - IMDb

    Actress. Director. Soundtrack. IMDbPro Starmeter See rank. Play trailer 2:28. Consecration (2023) 20 Videos. 27 Photos. This alert and classy actress seemed poised for Hollywood stardom in the early 1970s. Although it wasn't meant to be, Janet Suzman has remained one of the more respected classical stage players of her time.

    • January 1, 1
    • 1.66 m
    • Johannesburg, South Africa
  3. Thursday 16.05.2024. Summary. Professor David Peimer interviews Dame Janet Suzman about acting in some of Shakespeare’s greatest plays with the Royal Shakespeare Company (RSC), including her world renowned performance of Cleopatra in ‘Antony and Cleopatra’.

  4. www.wikiwand.com › en › Janet_SuzmanJanet Suzman - Wikiwand

    Dame Janet Suzman, DBE (born 9 February 1939) is a South African-born British actress who had a successful early career in the Royal Shakespeare Company, later replaying many Shakespearean roles on television.

  5. Jun 13, 2014 · Janet Suzman Q&A – as it happened. Janet Suzman was online to discuss her remarkable career – from Shakespeare to South Africa, Federico Fellini to Kim Cattrall, here are her answers to...

    • Guardian Stage
  6. Janet Suzman | Rotten Tomatoes. Highest Rated: 97% The Draughtsman's Contract (1982) Lowest Rated: 41% Consecration (2023) Birthday: Feb 9, 1939. Birthplace: Johannesburg, South Africa.

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  8. Dame Janet Suzman DBE (born 9 February 1939) is a South African and British actress. Known For. The Draughtsman's Contract. A Dry White Season. Consecration. Nuns on the Run. Nicholas and Alexandra. The Colour of Magic. And the Ship Sails On. The Black Windmill. Acting. Directing.

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