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Thea Gabriele von Harbou (27 December 1888 – 1 July 1954) was a German screenwriter, novelist, film director, and actress. She is remembered as the screenwriter of the science fiction film classic Metropolis (1927) and for the 1925 novel on which it was based. von Harbou collaborated as a screenwriter with film director Fritz Lang , her ...
Thea von Harbou was born on 27 December 1888 in Tauperlitz, Döhlau, Bavaria, Germany. She was a writer and director, known for Metropolis (1927), M (1931) and Woman in the Moon (1929). She was married to Fritz Lang and Rudolf Klein-Rogge. She died on 1 July 1954 in Berlin, Germany.
Thea von Harbou, one of three German screenwriters who Pudovkin singles out, stands alongside Carl Mayer as one of the most influential film figures in Weimar German cinema, which spanned the years 1919 to 1933.
Thea Gabriele von Harbou war eine deutsche Theaterschauspielerin, Drehbuchautorin, Regisseurin und Schriftstellerin. Sie schrieb die Drehbücher zu einigen der bekanntesten deutschen Stummfilme – so zum Beispiel zum Klassiker Metropolis von Fritz Lang, mit dem sie auch einige Jahre verheiratet war. Zweimal führte sie auch selbst Regie ...
German screenwriter, novelist, director and actress who is best known for her novel and screenplay Metropolis . Born on December 27, 1888, in Tauperlitz bei Hof, Bavaria; died in West Berlin on July 1, 1954; daughter of Theodor von Harbou and Clotilde (d'Alinge) von Harbou; married Rudolf Klein-Rogge, in 1914; married Fritz Lang (a director ...
Thea von Harbou was born on 27 December 1888 in Tauperlitz, Döhlau, Bavaria, Germany. She was a writer and director, known for Metropolis (1927), M (1931) and Woman in the Moon (1929). She was married to Fritz Lang and Rudolf Klein-Rogge. She died on 1 July 1954 in Berlin, Germany.
World War and written by Thea von Harbou (– ), off ered its contemporary female readership an adventure story with a female pro-tagonist. Harbou depicts a physically active, courageous heroine who is determined and unstoppable. Thus, some readers could see Beate as an empowered female character, particularly since Harbou chose to write in
