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Conrad Salinger. Conrad Salinger (August 30, 1901, Brookline, Massachusetts – June 17, 1962, Pacific Palisades, California [1]) was an American arranger, orchestrator and composer, who studied classical composition at the Paris Conservatoire. He is credited with orchestrating nine productions on Broadway from 1931 to 1938, and over seventy ...
Conrad Salinger was born in Brookline, Massachusetts on Friday, 30th August, 1901. His name held a special significance, combining the family name of his father Joseph Salinger with the maiden name of his mother Clara Conrad. The origins of his family roots can be traced to Germany, where all four of his grandparents were born.
Conrad Salinger was an American arranger, orchestrator and composer, who studied classical composition at the Paris Conservatoire. He is credited with orchestrating nine productions on Broadway from 1931 to 1938, and over seventy-five motion pictures from 1931 to 1962.
Conrad Salinger. Returning to the art deco splendour of New York in 1929, Salinger was very much a cultivated ‘man of the world’, always impeccably dressed, an image of sartorial splendour that he’d retain throughout his life, quite the opposite of the public’s idea of how many musicians present themselves.
Dec 7, 2023 · Look fast for famed MGM orchestrator Conrad Salinger at the piano with Judy Garland in "Easter Parade" (1948) performing "I Wish I Was in Michigan" by Irving...
Conrad Salinger was born on 30 August 1901 in Brookline, Massachusetts, USA. He was a composer, known for An American in Paris (1951), Singin' in the Rain (1952) and Funny Face (1957). He died on 17 June 1962 in Pacific Palisades, California, USA.
Apr 25, 2020 · Jack Campey presents My Favorite Past Orchestrators Part 1, featuring guest speakers Michael Feinstein, Larry Blank and Conrad Pope; as they explore the legendary orchestration and arrangement contributions of ASMAC founding member Conrad Salinger. Widely regarded as one of the finest orchestrators of the 20th century, Conrad Salinger’s mark on the craft of orchestration is not something to ...
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