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  1. Emmerich Kálmán ( Hungarian: Kálmán Imre; 24 October 1882 – 30 October 1953) was a Hungarian composer of operettas and a prominent figure in the development of Viennese operetta in the 20th century. Among his most popular works are Die Csárdásfürstin (1915) and Gräfin Mariza (1924).

  2. Apr 26, 2024 · Notable Works: “Csárdáskirálynõ”. “Josephine császárnõ”. “The Gay Hussars”. Emmerich Kálmán (born Oct. 24, 1882, Siófok, Hung.—died Oct. 30, 1953, Paris, France) was a Hungarian composer, one of the leading exponents of the last era of Viennese operetta. Kálmán was born to a lower middle-class Jewish family.

    • The Editors of Encyclopaedia Britannica
  3. Emmerich Kálmán (Hungarian: Kálmán Imre; 24 October 1882 – 30 October 1953) was a Hungarian composer of operettas and a prominent figure in the development of Viennese operetta in the 20th century. Among his most popular works are Die Csárdásfürstin (1915) and Gräfin Mariza (1924).

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  5. Emmerich Kálmán ( ungarisch Kálmán Imre [ ˈkaːlmaːn ˈimrɛ ], eigentlich Imre Koppstein; geboren 24. Oktober 1882 in Siófok, Österreich-Ungarn; gestorben 30. Oktober 1953 in Paris) war ein ungarischer Komponist.

  6. Sep 5, 2015 · Emmerich Kálmán’s “Die Csárdásfürstin”: A Historic Overview. One of the most successful, and certainly the most widely enduring of Kálmán’s operettas, Die Csárdásfürstin was nevertheless composed to a very conventional libretto by Leo Stein and Béla Jenbach detailing the umpteenth operettic romance between an aristocrat and a ...

  7. Die Csárdásfürstin ( The Csárdás Princess; translated into English as The Riviera Girl and The Gipsy Princess) is an operetta in 3 acts by Hungarian composer Emmerich Kálmán, with libretto by Leo Stein and Bela Jenbach. It premiered in Vienna at the Johann Strauss Theater on 17 November 1915. [1]

  8. Apr 14, 2021 · April 14, 2021. Dr. Jonathan Girard and the UBC Symphony Orchestra shine a light on century-old symphonic treasures by the Jewish-Hungarian composer. By Tze Liew. Composer Emmerich Kálmán. Emmerich Kálmán couldn’t sing, and wouldn’t dance — but his music has moved hundreds of thousands of operetta-goers to fits of tears and waltzes of joy.

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