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Saint-Saëns c. 1880 Charles-Camille Saint-Saëns (UK: / ˈ s æ̃ s ɒ̃ (s)/, US: / s æ̃ ˈ s ɒ̃ (s)/, French: [ʃaʁl kamij sɛ̃ sɑ̃(s)] ; [n 1]) (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello ...
May 17, 2024 · Camille Saint-Saëns (born October 9, 1835, Paris, France—died December 16, 1921, Algiers [Algeria]) was a composer chiefly remembered for his symphonic poems—the first of that genre to be written by a Frenchman—and for his opera Samson et Dalila. Saint-Saëns was notable for his pioneering efforts on behalf of French music, and he was a ...
- The Editors of Encyclopaedia Britannica
Charles-Camille Saint-Saëns (1835-1921) was a French composer, organist and conductor who wrote works including Rondo Capriccioso, Samson and Delilah and Symphony No.3 'Organ'. Life and music Born in Paris in 1835, the son of an audit clerk and carpenter’s daughter, Saint-Saëns showed signs of exceptional musical ability from infancy.
May 7, 2012 · Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns.The composition is based upon a poem by Henri Cazalis, ...
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Born in Paris in 1835, Charles-Camille Saint-Saëns was raised by his widowed mother and her aunt who introduced the young Camille to the piano and gave him his first lessons. The boy was a true prodigy, demonstrating perfect pitch at the age of two. He gave his first public concert at five, accompanying a Beethoven violin sonata on the piano.
Oct 9, 2023 · Camille Saint-Saëns. Camille Saint-Saëns’s works encompass every genre from 13 operas, including Samson et Dalila, to piano études that have helped to form performers’ techniques for over a ...
Biography. ‘I compose music’, said Camille Saint-Saëns, ‘as a tree produces apples.’. A child prodigy, virtuoso pianist and accomplished travel writer, the prolific French composer came to embody the spirit of Classicism in an era of high Romantic creativity. Yet the elegance and formality of his music never overwhelm the unstoppable ...
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