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History. Background and early history (to 1330) Birth of the Trecento style (1330–1360) Florentine music in the mid-to-late fourteenth century (1350–1390) Trecento music during the Great Schism (1378–1417) Instrumental music. Overall musical characteristics of the era. Music sources. See also.
In music, the Trecento was a time of vigorous activity in Italy, as it was in France, with which there was a frequent interchange of musicians and influences. Distinguishing the period from the preceding century was an emphasis on secular song, especially love lyrics; much of the surviving music is polyphonic, but the influence of the ...
In Ars Nova. …which is also known as Italian trecento music. The most important theorist of this school was Marchettus of Padua, whose treatise Pomerium (in the early 14th century) outlines certain rhythmic innovations in Italian notation of the time.
Chapter 10 “A Pleasant Place”: Music of the Trecento. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA.
Aug 4, 2018 · Trecento I: Secular Music; By Michael Scott Cuthbert; Edited by Mark Everist, University of Southampton, Thomas Forrest Kelly, Harvard University, Massachusetts; Book: The Cambridge History of Medieval Music; Online publication: 04 August 2018; Chapter DOI: https://doi.org/10.1017/9780511979866.036
Medieval music. The Trecento Madrigal is an Italian musical form of the 14th century. It is quite distinct from the madrigal of the Renaissance and early Baroque, with which it shares only the name. The madrigal of the Trecento flourished ca. 1340–1370 with a short revival near 1400.
History. Background and early history (to 1330) Birth of the Trecento style (1330–1360) Florentine music in the mid-to-late fourteenth century (1350–1390) Trecento music during the Great Schism (1378–1417) Instrumental music. Overall musical characteristics of the era. Music sources. See also. Further reading. References. History.
