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Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director and screenwriter. While lesser-known internationally than contemporaries such as Akira Kurosawa , Kenji Mizoguchi and Yasujirō Ozu , he was a household figure in his home country, beloved by both critics and audiences from ...
Director. Producer. IMDbPro Starmeter See rank. Keisuke Kinoshita was born on 5 December 1912 in Hamamatsu, Shizuoka, Japan. He was a writer and director, known for Twenty-Four Eyes (1954), The Ballad of Narayama (1958) and The Garden of Women (1954). He died on 30 December 1998 in Tokyo, Japan.
- January 1, 1
- Hamamatsu, Shizuoka, Japan
- January 1, 1
- Tokyo, Japan
May 17, 2018 · One of Japan's most popular filmmakers after World War II, Keisuke Kinoshita (1912-1998) was a prolific director, writer, and producer, specializing in sentimental dramas and comedies and the use of innovative, expressionistic sets.
Kinoshita Keisuke (born Dec. 5, 1912, Hamamatsu, Shizuoka prefecture, Japan—died Dec. 30, 1998, Tokyo) was one of Japan’s most popular motion-picture directors, known for satirical social comedies. A motion-picture enthusiast from boyhood, Kinoshita attended Hamamatsu Technology School and Oriental Photography School.
- The Editors of Encyclopaedia Britannica
- TWENTY-FOUR EYES. (1954) Twenty-Four Eyes is Kinoshita’s ultimate achievement. The Japanese cinema magazine Kinema Junpo placed Twenty-Four Eyes at number 6 on its top 200 Japanese films of all time list.
- THE BALLAD OF NARAYAMA. (1958) The Ballad of Narayama is a startlingly experimental work and quite possibly Kinoshita’s formal masterpiece. Some may be more familiar with the Palme d’Or winning remake directed by Shohei Imamura, but the original is just as deserving to be seen.
- A LEGEND, OR WAS IT? (Also known as LEGEND OF A DUEL TO THE DEATH) (1963) While Kinoshita began his career as a war propagandist for imperialist Japan in the latter years of WWII, he became staunchly anti-war later in his career.
- SHE WAS LIKE A WILD CHRYSANTHEMUM. (1955) While Kinoshita largely stuck to melodramas as his go-to genre, he was a relentless formal experimenter, as we will see in some of his following films.
A series of 15 films by the Japanese master of everyday life, who worked for Shochiku studio and made Japan's first color feature. Explore his versatile and progressive style, his themes of loss of innocence and his actors' performances.
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Dec 30, 1998 · Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director. Hugely popular in his home country of Japan, Keisuke Kinoshita worked tirelessly as a director for nearly half a century, making lyrical, sentimental films that often center on the inherent goodness of people, especially in ...
