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  1. en.wikipedia.org › wiki › Maya_DerenMaya Deren - Wikipedia

    Maya Deren (born Eleonora Derenkovskaya, Ukrainian: Елеоно́ра Деренко́вська; May 12 [O.S. April 29] 1917 – October 13, 1961) was a Ukrainian-born (then part of the Russian Empire, now independent Ukraine) American experimental filmmaker and important part of the avant-garde in the 1940s and 1950s. Deren was also a ...

  2. Nov 16, 2022 · How Maya Deren Became the Symbol and Champion of American Experimental Film. A new biography of the iconic independent filmmaker depicts a cultural force of nature who all too quickly lost her...

  3. Maya Deren was an influential director and performer who is often called the “motherof American avant-garde filmmaking. Her films are not only poetic but instructive, offering insight into the human body and psyche and demonstrating the potential of film to explore these subjects.

  4. www.imdb.com › name › nm0220305Maya Deren - IMDb

    Maya Deren. Director: Meshes of the Afternoon. Maya Deren came to the USA in 1922 as Eleanora Derenkowsky. Together with her father Solomon Derenkowsky, a psychiatrist, and her mother Maria Fidler, an artist, she fled the pogroms organized by the Bolsheviks against the Jews.

  5. Maya Deren was one of the most important avant-garde filmmakers of her time for her use of experimental editing techniques and her fascination with ecstatic religious dances. Deren earned an MA in English literature from Smith in 1939 before joining choreographer Katherine Dunham’s tour.

  6. Apr 28, 2017 · Maya Deren (1917–61) once wrote: “In film I can make the world dance.” And that’s exactly what she did. Born in Kyiv 100 years ago, Deren is one of the most influential figures in American avant-garde cinema.

  7. www.moma.org › artists › 6912Maya Deren | MoMA

    Maya Deren (born Eleonora Derenkovskaya, Ukrainian: Елеоно́ра Деренко́вська; May 12 [O.S. April 29] 1917 – October 13, 1961) was a Ukrainian-born (then part of the Russian Empire, now independent Ukraine) American experimental filmmaker and important part of the avant-garde in the 1940s and 1950s.

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