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Hans Christian Tomas Alfredson (born 1 April 1965) is a Swedish film director who is best known internationally for directing the 2008 vampire film Let the Right One In and 2011 espionage film Tinker Tailor Soldier Spy. Alfredson has received the Guldbagge award for Best Direction twice; in 2005 for Four Shades of Brown, and in 2008 for Let the ...
Tomas Alfredson is a Swedish director known for Tinker Tailor Soldier Spy, Let the Right One In and The Snowman. He was born in 1965, married to Charlotte Alfredson and has one child.
- January 1, 1
- 1.78 m
- Lidingö, Stockholms län, Sweden
Tomas Alfredson is a Swedish director of Tinker Tailor Soldier Spy, Let the Right One In and Fyra nyanser av brunt. He is the brother of Daniel Alfredson and the son of Hans Alfredson.
- April 1, 1965
Dec 12, 2008 · Let the Right One In: Directed by Tomas Alfredson. With Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl. Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl.
- (223K)
- Drama, Fantasy, Horror
- Tomas Alfredson
- 2008-12-12
Tomas Alfredson LET THE RIGHT ONE IN, (aka LAT DEN RATTE KOMMA IN), director Tomas Alfredson, on set, 2008. ©Magnolia Pictures THE SNOWMAN, FROM LEFT: DIRECTOR TOMAS ALFREDSON, MICHAEL FASSBENDER ...
Tomatometer®Audience ScoreTitleCreditNo Score YetNo Score YetExecutive ProducerNo Score YetNo Score YetDirector, Writer7%19%Director, Executive Producer84%65%DirectorPeople also ask
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Hans Christian Tomas Alfredson (born 1 April 1965) is a Swedish film director who is best known internationally for directing the 2008 vampire film Let the Right One In and 2011 espionage film Tinker Tailor Soldier Spy. Alfredson has received the Guldbagge award for Best Direction twice; in 2005 for Four Shades of Brown, and in 2008 for Let the Right One In. He is the son of director and actor ...
Oct 8, 2020 · Tinker Tailor Critic Eye: A great movie inspires some excellent writing. I was floored by Tomas Alfredson's "Tinker Tailor Soldier Spy" the first time I saw it, though (as is usually the case for me, even with movies that don't negotiate complex plots in slyly evasive/elliptical styles), I couldn't have told you exactly what happened.