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  1. Dziga Vertov
    Soviet documentary/avantgarde filmmaker

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  1. en.wikipedia.org › wiki › Dziga_VertovDziga Vertov - Wikipedia

    Dziga Vertov (Russian: Дзига Вертов, born David Abelevich Kaufman, Russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; 2 January 1896 [O.S. 21 December 1895] – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist.

  2. Apr 12, 2024 · Dziga Vertov (born Jan. 2, 1896 [Dec. 21, 1895, Old Style], Belostok, Russia—died Feb. 12, 1954, Moscow, Russia, U.S.S.R.) was a Soviet motion-picture director whose kino-glaz (“film-eye”) theory—that the camera is an instrument, much like the human eye, that is best used to explore the actual happenings of real life—had an ...

    • The Editors of Encyclopaedia Britannica
  3. Aug 12, 2019 · Learn about the life and work of Dziga Vertov, the avant-garde Soviet filmmaker who made \"Man with a Movie Camera\" and pioneered the \"kino-eye\" style. Yale professor John MacKay shares his research and insights on Vertov's legacy and archive.

  4. www.imdb.com › name › nm0895048Dziga Vertov - IMDb

    Dziga Vertov was a Soviet film director, writer and editor, known for his experimental and avant-garde works. He was born in 1896 in Poland and died in 1954 in Russia. See his credits, photos, trivia and more on IMDb.

    • January 1, 1
    • Moscow, RSFSR, USSR [now Russia]
    • January 1, 1
    • Director, Writer, Editor
  5. Learn about Dziga Vertov, the Soviet pioneer of nonfiction film form and the inspiration for Godard and Gorin. Explore his theories, polemics, and works, from Man with a Movie Camera to his later experiments with sound and montage.

  6. Jan 2, 2016 · Learn about the life and work of Dziga Vertov, who revolutionized film language with his experimental and documentary films. Discover how his vision influenced modern cinema and was rediscovered by the Dogma-95 movement.

  7. Mar 21, 2003 · Learn about the life and work of Dziga Vertov, a pioneer of Soviet cinema and the inventor of the term Kino-Eye. Explore his manifestos, films, and ideas on montage, reality, and communism.

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