Divorce, Italian Style
1962
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actor. Years active. 1939–1974. Height. 1.78 m (5 ft 10 in) Pietro Germi ( Italian pronunciation: [ˈpjɛːtro ˈdʒɛrmi]; 14 September 1914 – 5 December 1974) was an Italian film director, screenwriter, and actor, noted for his development of the neorealist and commedia all'italiana genres.
Pietro Germi was born on 14 September 1914 in Genoa, Liguria, Italy. He was a writer and director, known for The Railroad Man (1956), Divorce Italian Style (1961) and The Birds, the Bees and the Italians (1966). He was married to Olga D'Aiello and Anna Bancio. He died on 5 December 1974 in Rome, Lazio, Italy.
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- Genoa, Liguria, Italy
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- Rome, Lazio, Italy
Pietro Germi dietro la macchina da presa. Oscar alla migliore sceneggiatura originale. Pietro Germi ( Genova, 14 settembre 1914 – Roma, 5 dicembre 1974) è stato un regista, sceneggiatore, attore e produttore cinematografico e televisivo [1] italiano . Dopo essersi dedicato prevalentemente a pellicole di stampo drammatico e dalla forte ...
Mini Bio. Pietro Germi was born on September 14, 1914 in Genoa, Liguria, Italy. He was a writer and director, known for The Railroad Man (1956), Divorce Italian Style (1961) and The Birds, the Bees and the Italians (1966). He was married to Olga D'Aiello and Anna Bancio.
Pietro Germi (14 September 1914, Genoa - 5 December 1974) was an Italian actor, screenwriter, and director. Germi was born in Genoa, Liguria, to a lower-middle class family. He was a messenger and briefly attended nautical school before deciding on a career in acting.
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Oct 15, 2013 · Directed by Pietro Germi. These notes accompany screenings of Pietro Germi’s </em>Divorce, Italian Style </a> on October 16, 17, and 18. </p> Italian cinema has historically been undervalued in relation to those of the United States, several other European countries, and post-World War II Japan.
Jan 4, 2024 · January 4, 2024. 1. The Janus-headed The Facts of Murder looks back to the earlier neorealist docudramas of director, co-writer, and star Pietro Germi, while also presaging the sharply observed satirical outlook of films like Divorce Italian Style and Seduced and Abandoned.
