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  1. Andrzej Żuławski (Polish: [ˈandʐɛj ʐuˈwafskʲi]; 22 November 1940 – 17 February 2016) was a Polish film director and writer best known for his 1981 film Possession. Żuławski often went against mainstream commercialism in his films, and enjoyed success mostly with European art-house audiences.

  2. Andrzej Żuławski (ur. 22 listopada 1940 we Lwowie, zm. 17 lutego 2016 w Warszawie) – polski reżyser, scenarzysta i aktor filmowy, pisarz, komandor Orderu Sztuki i Literatury. Karierę filmową zaczynał jako asystent Andrzeja Wajdy.

  3. Multimedia. A non-conformist director, screenwriter, novelist, essayist, his approach to storytelling is idiosyncratic and characterised by explosions of violence, sexuality, and despair. His visions are influenced by his experiences in wartime and communist Poland and his French education.

  4. Feb 21, 2016 · Andrzej Żuławski, who has died of cancer aged 75, was one of the rare breed of film directors who refuse to compromise their singular vision for either commercial or ideological reasons.

    • Ronald Bergan
  5. Feb 17, 2016 · The supreme troublemaker of Polish and world cinema alike, Andrzej Żuławski passed away in Warsaw yesterday, leaving behind a rich output of films and novels that’s only recently begun to be fully appreciated and rediscovered. A multilingual polymath, as well as an heir to a legendary family of Polish artists and intellectuals, this Paris ...

  6. Feb 26, 2016 · Andrzej Zulawski, who sadly passed away on February 17th, with his bold explorations of sexuality, and horror bathed in a specific kind of surrealism, psychedelia and pathos, cannot be easily placed within the film canon. He was someone who dealt chiefly with how societal constraints and History-with-a-capital-H collide with our deepest fears ...

  7. Andrzej Żuławski ( Polish: [ ˈandʐɛj ʐuˈwafskʲi]; 22 November 1940 – 17 February 2016) was a Polish film director and writer best known for his 1981 film Possession. Żuławski often went against mainstream commercialism in his films, and enjoyed success mostly with European art-house audiences.

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