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  1. Hany Abu-Assad (Arabic: هاني أبو أسعد; born 11 October 1961) is a Palestinian-Dutch film director. He has received two Academy Award nominations: in 2006 for his film Paradise Now, and again in 2013 for his film Omar.

  2. Director: Omar. Hany Abu-Assad a Palestinian/Dutch movie director and writer. From the famous movies Abu-Assad has directed so far are : Rana's Wedding (2002), Paradise Now (2005) and Omar (2013), The mountains between us (2017). He has been nominated twice for Academy Awards for his movies 'Paradise Now' in 2006 and 'Omar' in 2014.

  3. Mini Bio. Hany Abu-Assad a Palestinian/Dutch movie director and writer. From the famous movies Abu-Assad has directed so far are : Rana's Wedding (2002), Paradise Now (2005) and Omar (2013), The mountains between us (2017). He has been nominated twice for Academy Awards for his movies 'Paradise Now' in 2006 and 'Omar' in 2014.

  4. Feb 23, 2014 · In Hany Abu-Assad's Oscar-nominated drama, the title character is a young Palestinian in love with an Israeli woman. NPR's Rachel Martin spoke with the director and with Adam Bakri, the...

  5. Born in Nazareth 1961, Hany Abu-Assad turned to filmmaking after working for several years as an airplane engineer in The Netherlands. Since then, Abu-Assad has directed several award-winning films which include Nazareth 2000, Rana’s Wedding, Ford Transit, Paradise Now, Omar, The Idol, and The Mountain Between Us. He has been nominated twice ...

  6. May 26, 2016 · Abu-Assad spoke with RogerEbert.com about his approach toward crafting suspense, working with children and his beliefs regarding the transformative power of art. The final scene in “Paradise Now” is one of my favorite moments in all of cinema.

  7. Dec 12, 2021 · Palestinian filmmaker Hany Abu Assad is careful not to be too smitten by his own works. His eighth feature film, Huda’s Salon, was met with emphatic applause at the Red Sea International Film Festival, where it had its Arab premiere. Yet, if it was up to the Oscar-nominated director, he would take the film back to the cutting board.

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