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  1. Sergei Eisenstein

    Sergei Eisenstein

    Soviet filmmaker

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  1. Sergei Mikhailovich Eisenstein[a] (22 January [O.S. 10 January] 1898 – 11 February 1948) was a Soviet film director, screenwriter, film editor and film theorist. He was a pioneer in the theory and practice of montage. [1]

  2. Sergei Eisenstein. Director: Ivan the Terrible, Part I. The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army.

    • January 1, 1
    • Moscow, Russian SFSR, USSR [now Russia]
    • January 1, 1
    • 1.70 m
  3. Sep 2, 2024 · Sergei Eisenstein, Russian film director and theorist whose work includes the three classic movies Battleship Potemkin (1925), Alexander Nevsky (1939), and Ivan the Terrible (released in two parts, 1944 and 1958). In his concept of film montage, images are presented for maximum psychological impact.

  4. Sergei Eisenstein. Director: Ivan the Terrible, Part I. The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army.

    • January 22, 1898
    • February 11, 1948
  5. Sergei Eisenstein is known as the creator of montage. First published in the 1923 issue of LEF he coined the technique as a “montage of attractions”, and utilised the principle in many of his films.

    • 72 min
    • Sergei Eisenstein1
    • Sergei Eisenstein2
    • Sergei Eisenstein3
    • Sergei Eisenstein4
    • Sergei Eisenstein5
  6. Battleship Potemkin: Directed by Sergei Eisenstein. With Aleksandr Antonov, Vladimir Barskiy, Grigoriy Aleksandrov, Ivan Bobrov. In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers.

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  8. The Mexican painter Roberto Montenegro depicted Sergei Eisenstein on the fresco The New World as a Spanish conquistador of the 16th century, as a conqueror of the world – but with a film...

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