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  1. Lesley Selander (May 26, 1900 – December 5, 1979) was an American film director of Westerns and adventure movies. His career as director, spanning 127 feature films and dozens of TV episodes, lasted from 1936 to 1968. Before that, Selander was assistant director on films such as The Cat and the Fiddle (1934), A Night at the Opera (1935), and ...

  2. Lesley Selander (1900-1979) was a prolific director of B westerns, thrillers and adventure films. He also worked as a camera operator, assistant director and cinematographer in the early days of Hollywood.

    • January 1, 1
    • Los Angeles, California, USA
    • January 1, 1
    • Los Alamitos, California, USA
  3. May 26, 1900 · Los Angeles, California, USA. Died. December 5, 1979 · Los Alamitos, California, USA (undisclosed) Nickname. Les. Mini Bio. Lesley Selander's film career, which lasted more than 40 years, started in the early 1920s as a teenager when he got a job at a studio as a lab technician.

    • May 26, 1900
    • December 5, 1979
  4. Lesley Selander was an American film director of Westerns and science fiction movies from 1936 to 1968. He directed 107 Westerns, 23 episodes of Lassie, and other TV shows and films, such as The Thin Man, Fury, and Flight To Mars.

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  6. Lesley Selander was an American film director of Westerns and adventure movies. His career as director, spanning 127 feature films and dozens of TV episodes, lasted from 1936-68. Before that, Selander was assistant director on films such as The Cat and the Fiddle (1934), A Night at the Opera (1935), and Fritz Lang's Fury (1936).

  7. Lesley Selander - Turner Classic Movies. Overview. Biography. Filmography. Life Events. Photos & Videos. About. Read More. Also Known As. Leslie Selander, R. Lesley Selander, Les Selander, R. L. Selander, Lester Selander. Birth Place. Los Angeles, California, USA. Born. May 26, 1900. Died. December 05, 1979. Biography. Read More.

  8. The film, produced by Allied Artists and directed by Lesley Selander, starred Ann Dvorak in the title role. In addition to obtaining the rights to her 1947 book Manila Espionage , the filmmakers brought Phillips on as a technical adviser and she made personal appearances to promote the film, [3] Phillips and Dvorak became good friends, with ...

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