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John Alcott, BSC (27 November 1930 – 28 July 1986) was an English cinematographer known for his four collaborations with director Stanley Kubrick: 2001: A Space Odyssey (1968), for which he took over as lighting cameraman from Geoffrey Unsworth in mid-shoot, A Clockwork Orange (1971), Barry Lyndon (1975), the film for which he won his Oscar ...
John Alcott (1930-1986) was a British camera operator and lighting cameraman who collaborated with director Stanley Kubrick on films such as 2001: A Space Odyssey, A Clockwork Orange, and Barry Lyndon. He won an Academy Award for his work on Barry Lyndon, which used candlelight and NASA lenses to create stunning visuals.
- January 1, 1
- Isleworth, Middlesex, England, UK
- January 1, 1
- Cannes, Alpes-Maritimes, France
The first article consists of an interview with cinematographer John Alcott, while the second article looks in detail at the Steadicam, Garrett Brown’s then-brand-new stabilization rig. While in Cannes, France, John Alcott suffered a heart attack and died on 28 July 1986; he was 55.
Learn how John Alcott, Stanley Kubrick's right-hand man, created stunning imagery with natural light and ingenious camera movement. Watch a video essay that breaks down his techniques and examples from Barry Lyndon and The Shining.
Apr 18, 2017 · Learn about the career and achievements of John Alcott, who started as a clapper boy and became one of the most influential cinematographers of the 20th century. He worked on 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining, among others.
John Alcott (1930-1986) was a camera operator and director of photography who worked on four movies by Stanley Kubrick, including 2001: A Space Odyssey, A Clockwork Orange and The Shining. He won an Oscar for Barry Lyndon and died in Cannes, France.
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Sep 2, 2020 · John Alcott was the go-to cinematographer for four of Kubrick's classics, from 2001: A Space Odyssey to The Shining. Learn how he mastered advanced cinematographic techniques, such as front projection, low-light photography, and long zooms, to create iconic scenes and images.
