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  1. Werner Schroeter (7 April 1945 – 12 April 2010) was a German film director, screenwriter, and opera director known for his stylistic excess. Schroeter was cited by Rainer Werner Fassbinder as an influence both on his own work and on German cinema at large.

  2. Werner Schroeter. Director. Writer. Cinematographer. IMDbPro Starmeter See rank. The key person of the New German Cinema of the '70s. His works, mostly shot in 16mm, combine an intense interest and knowledge of German history and personal dramatic and emotional investigations.

    • January 1, 1
    • Georgenthal, Thuringia, Germany
    • January 1, 1
    • Kassel, Hesse, Germany
  3. April 20, 2010. Werner Schroeter, a German film and stage director whose flair for lush visuals and heightened emotions introduced an operatic sensibility to the New German Cinema movement of...

  4. Werner Schroeter (* 7. April 1945 in Georgenthal; † 12. April 2010 in Kassel) war ein deutscher Film-, Opern- und Theater- Regisseur . Inhaltsverzeichnis. 1 Leben. 1.1 Ausdrucksformen im Film. 1.2 Tätigkeit als Filmdozent. 2 Werk. 2.1 Filmografie. 2.2 Fotografische Arbeiten. 2.3 Autobiografie. 3 Literatur. 4 Auszeichnungen. 5 Filme über Schroeter.

  5. Werner Schroeter is, simply, the most interesting, irritating, civilizing filmmaker since Godard. So far, his films have been containers for several perennial obsessions: opera, specifically French and Italian opera buffa contrasted with German epic opera, used as sound track and visually parodied in costumes and sets.

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  7. www.bafta.org › heritage › in-memory-ofWerner Schroeter | BAFTA

    Werner Schroeter. Director. 6 April 1945 to 11 April 2010. An experimental filmmaker whose work challenged audiences and critics, Schroeter came to prominence in his native Germany with The Death of Maria Malibran (1971).

  8. September 21–October 1, 2012. The Passions of Werner Schroeter. Although he is today recognized as one of the great directors of post-1968 European cinema, the extraordinary oeuvre of Werner Schroeter (1945-2010) has remained surprisingly unknown to the larger filmgoing public in Europe and abroad.

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