Yorgos Lanthimos
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Yorgos Mavropsaridis (Greek: Γιώργος Μαυροψαρίδης, romanized: Giorgos Mavropsaridis; born 21 November 1954) is a Greek film editor. He is well known for his collaborations with Yorgos Lanthimos, having edited all his films to date. He is a graduate of the London Film School, and honed his skills working in commercials.
- Film editor
- 21 November 1954 (age 68), Athens, Greece
Mar 17, 2024 · 17.03.2024 • 19:45. Yorgos Mavropsaridis celebrated his nomination at this year’s Oscars alongside his two daughters, who joined him on his journey to Los Angeles: 24-year-old Ilektra, a musician, and 27-year-old Penelope, a director. Perhaps this was his greatest joy. He did not win the Oscar for film editing in Yorgos Lanthimos’ “Poor ...
Yorgos Mavropsaridis is known for Poor Things (2023), The Favourite (2018) and The Lobster (2015). More at IMDbPro. Contact info. Agent info. Resume. Add to list. Nominated for 2 Oscars. 14 wins & 53 nominations total. Known for. Poor Things. 7.9. Editor. 2023. The Favourite. 7.5. Editor. 2018. The Lobster. 7.1. Editor. 2015. Dogtooth. 7.2. Editor.
- Editor, Actor, Editorial Department
- Yorgos Mavropsaridis
Learn about the Greek film editor who has worked with Yorgos Lanthimos for 25 years and shares his top five movies. Discover his insights on editing, time, memory, and fate in films by Resnais, Tarkovsky, Kubrick, and more.
5 days ago · Lanthimos and longtime editor Yorgos Mavropsaridis strike a rhythm that’s totally distinct from that of other filmmakers, creating tension less from suspense than surprise. Each of the segments ...
Dec 13, 2023 · December 13, 2023 12:30PM. “All these years we’ve worked together, we’ve found a way to communicate without needing to talk,” says “ Poor Things ” editor Yorgos Mavropsaridis about director...
Mar 3, 2024 · March 3, 2024. Weird is Wonderful: The Adventure of Editing “Poor Things” Adrian Pennington. TL;DR. Editor Yorgos Mavropsaridis, ACE discusses his longtime collaboration with director Yorgos Lanthimos on the multi-Oscar nominated “Poor Things.” Mavropsaridis explains how the dance scene on the cruiser became a microcosm for the whole film.
