Annette
2021
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Alex Christophe Dupont (born 22 November 1960), best known as Leos Carax (French: [leɔs kaʁaks]), is a French film director, critic and writer. Carax is noted for his poetic style and his tortured depictions of love.
Leos Carax. Director: Holy Motors. Leos Carax made several short films and also wrote film criticism, then at the age of 24 years made a very strong first feature Boy Meets Girl (1984).
Alex Dupont [1], dit Leos Carax, est un réalisateur français né le 22 novembre 1960 à Suresnes. Connu pour ses œuvres oniriques qui mélangent bizarrerie et tragédie, il a notamment réalisé les longs métrages Les Amants du Pont-Neuf (1992), Holy Motors (2012) et Annette (2021).
Aug 4, 2021 · Carax's short involves a strange man (Levant), known only as Monsieur Merde who emerges from the sewers to mildly terrorize the populace, all the while babbling in some unknown language, before eventually being captured and hauled into court in order to answer for his crimes.
Aug 13, 2021 · Leos Carax, the enigmatic French director behind spectacularly peculiar films like “Holy Motors,” would rather be talking about love. Or beauty. Or ghosts. Anything other than his new...
Aug 26, 2021 · Film. Add to myFT. Leos Carax on his stark new film, Annette — and working with Adam Driver. Five decades into his career, the French maestro returns with his first movie made in English and...
May 18, 2024 · Director Leos Carax ('Holy Motors,' 'Annette') unveiled his latest film, 'It's Not Me,' in the Cannes Première sidebar.
Mar 4, 2024 · French filmmaker Leos Carax discussed the sacred nature of the image and the challenge of retaining its power on the big screen in the digital age in an on-stage conversation at the Doha Film...
May 19, 2024 · A self-portrait and cinematic essay, Leos Carax ‘s “It’s Not Me” is perhaps the most accurate impression of a late-era Jean-Luc Godard experiment anyone has ever attempted.
1 day ago · Leos Carax’s It’s Not Me, screening at the 58th Karlovy Vary Film Festival’s Horizons program, would certainly fall into the latter category—not just because so much of this 40-minute essayistic collage derives from the arsenal of iconic sequences of his own making, but because the film’s narration bears an uncanny resemblance to that ...
