.jpg "Guillermo Navarro"){kind=small}
Spy Kids
2001
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Guillermo Jorge Navarro Solares, AMC, ASC (born July 29, 1955) is a Mexican cinematographer and television director. [1] He has worked in Hollywood since 1994 and is a frequent collaborator of Guillermo del Toro and Robert Rodriguez. [2] In 2007, he won the Academy Award for Best Cinematography and the Goya Award for Best Cinematography for del ...
- 1981–present
- Guillermo Jorge Navarro Solares, 1955 (age 67–68), Mexico City, Mexico
Guillermo Navarro. Cinematographer: Pan's Labyrinth. Guillermo Navarro was born in 1955 in Mexico City, Distrito Federal, Mexico. He is a cinematographer and director, known for Pan's Labyrinth (2006), Cronos (1992) and I Am Number Four (2011).
- January 1, 1
- Cinematographer, Director, Producer
- Mexico City, Distrito Federal, Mexico
- Guillermo Navarro
Guillermo del Toro discusses ’Cabinet of Curiosities’ Episode 1 with director Guillermo Navarro and actor Tim Blake Nelson. Guillermo del Toro wrote the story based on a real experience for his anthology Cabinet of Curiosities.
- Mike Rougeau
- 37 sec
Nov 15, 2023 · Navarro used three film stocks—Vision 250D, Vision2 500T, and Vision2 200T, depending on what was being photographed. The crew shot a lot of day for night, especially in the forests where it was very difficult to artificially light. By underexposing these scenes three to four stops, Navarro not only created night but gave it an eerie presence ...
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Guillermo Jorge Navarro Solares, AMC, ASC (born July 29, 1955) is a Mexican cinematographer and television director. He has worked in Hollywood since 1994 and is a frequent collaborator of Guillermo del Toro and Robert Rodriguez. In 2007, he won the Academy Award for Best Cinematography and the Goya Award for Best Cinematography for del Toro's Pan's Labyrinth. His subsequent filmography runs ...
Nov 1, 2022 · Guillermo Navarro, a longtime collaborator of Guillermo del Toro, talks about his horror anthology episode "Lot 36" for Netflix. He reveals the inspiration, the cast, the visual style, and the social commentary of his story.
