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  1. With more than 100 performances each year, the Ohio Theatre is one of the state’s busiest performing arts facilities. Its lush interior, outstanding acoustics, and state-of-the-art stage facilities have made it a favorite of leading CAPA-presented performers such as Carole King, Julie Andrews, Yo-Yo Ma, Yanni, Anne-Sophie Mutter, Kenny G ...

    • Area Dining & Hotels

      The Ohio Theatre is centrally located in downtown Columbus,...

    • Directions & Parking

      The closest and most convenient parking to the Ohio Theatre,...

    • Events

      COVID-19 Performance Status Updates; Frequently Asked...

  2. Performing Arts Events in Columbus. Local professional theater, national acts, comedy, dramatic works, Broadway shows, dance and more can all be found at the various theaters and stages throughout Columbus at any time of the year. In Columbus' Theater District, there are four large theaters, The Palace , The Ohio , The Southern and The Lincoln ...

  3. Tina: The Tina Turner Musical. May 7 - 12, 2024. 2hrs, 40mins with 1 intermission. Recommend for ages 14+. The production includes scenes depicting domestic violence, racist language, loud music,...

  4. Catch performance groups like BalletMet, Opera Columbus, the Columbus Symphony, ProMusica Chamber Orchestra, and more provide an immersive evening out for all ages. Downtown Columbus is home to a plethora of theatres for local and touring performing arts groups.

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  5. General Information. 549 Franklin Ave, Columbus, OH 43215. Manager – Geoffrey Martin. About. The Columbus Performing Arts Center is a 21,000-square-foot space dedicated to the arts. It is home to two performance spaces, the Van Fleet Theatre and the Shedd Stage, and the Golden Hobby Gift Shop. Rentals Fees. Interested in renting performance space?

  6. Situated at the base of the LeVeque Tower downtown, the Palace Theatre is another CAPA-owned venue that is a staple for live entertainment. Opened in 1926 as a vaudeville house, the space was designed with particularly excellent acoustics to accommodate performers who had to be heard without electronic amplification.

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