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  1. La pistola de mi hermano

    La pistola de mi hermano

    1997 · Comedy drama · 1h 32m

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  1. My Brother's Gun. My Brother's Gun (Spanish: La pistola de mi hermano) is a 1997 Spanish film directed and written by Ray Loriga in his feature-length directorial debut. It stars Daniel González, Nico Bidásolo and Andrés Gertrúdix, with Anna Galiena, Karra Elejalde, Viggo Mortensen, and Christina Rosenvinge in supporting roles.

  2. Aug 15, 1997 · My Brother's Gun. Hardcover – August 15, 1997. When the oldest son of an attractive family kills a security guard and takes flight, the mother and brother he leaves behind are turned into media darlings, but after he kills again, members of his family becomes full-fledged stars. 15,000 first printing. Book recommendations, author interviews ...

    • (3)
    • Ray Loriga
  3. English. 119 pages ; 20 cm. When the eldest son of an attractive family kills a security guard and promptly takes flight, the brother and mother he leaves behind are not ostracized. They become media darlings and when the second murder occurs they are fully-fledged stars. Originally published in English: New York : St Martin's Press, 1997.

  4. My Brother's Gun. Ray Loriga. St. Martin's Press, $18.95 (119pp) ISBN 978-0-312-16947-3. Tersely mocking the media's fascination with aberrant violence and sexual identity, this slight, disturbing ...

  5. Dec 1, 1997 · Gen-X novelist Ray Loriga makes his helming debut with "My Brother's Gun," a languid Hispanic reprise of pics such as "Kalifornia" and "Natural Born Killers." Though this is the best Spanish youth ...

  6. Apr 1, 1995 · 283 ratings6 reviews. When the oldest son of an attractive family kills a security guard and takes flight, the mother and brother he leaves behind are turned into media darlings, but after he kills again, members of his family becomes full-fledged stars. 15,000 first printing. Genres FictionSpain. 119 pages, Hardcover.

  7. When the eldest son of an attractive family inexplicably kills a security guard and promptly takes flight, the brother and mother he leaves behind are not - as might be expected - ostracized. Instead the insatiable media celebrate their plight, transfixed by their misfortune. They become media darlings.

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