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  1. en.wikipedia.org › wiki › Le_AmicheLe Amiche - Wikipedia

    Le amiche ([le aˈmiːke], lit. "The girlfriends") is a 1955 Italian drama film directed by Michelangelo Antonioni and starring Eleonora Rossi Drago , Gabriele Ferzetti , Franco Fabrizi , and Valentina Cortese .

  2. www.wikiwand.com › en › Le_AmicheLe Amiche - Wikiwand

    Le amiche is a 1955 Italian drama film directed by Michelangelo Antonioni and starring Eleonora Rossi Drago, Gabriele Ferzetti, Franco Fabrizi, and Valentina Cortese. Based on Cesare Pavese's 1949 novella Tra donne sole, Le amiche portrays a group of five upper-class women in Turin and their various relationships with men.

  3. Le amiche (The Girlfriends) is a brilliantly observed, fragmentary depiction of modern bourgeois life, conveyed from the perspective of five Turinese women. As four of the friends try to make sense of the suicide attempt of the fifth, they find themselves examining their own troubled romantic lives.

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  5. Le amiche (The Girlfriends) is a 1955 film by Michelangelo Antonioni that depicts the modern alienation and fraught friendship of five Turinese women. The Criterion Collection offers a new restoration, interviews, essay, and more special features.

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  6. Jun 20, 2013 · Le Amiche. In his fourth feature film, from 1955, Michelangelo Antonioni turns a glossy romantic melodrama of modern prosperity inside out to reveal the essence of modernity itself. Clelia ...

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  7. Currently you are able to watch "Le Amiche" streaming on Criterion Channel. It is also possible to buy "Le Amiche" on Apple TV, Amazon Video, Google Play Movies, YouTube, Vudu as download or rent it on Amazon Video, Vudu, Apple TV, Google Play Movies, YouTube online.

  8. Jul 19, 2016 · Classes, Clashes and the City of Michelangelo Antonioni’s ‘Le amiche’. By Jeremy Carr on July 19, 2016 • ( 1 Comment ) Arguably more than any European filmmaker of his time, Michelangelo Antonioni enhanced his already captivating body of work by incorporating a pronounced use of metaphoric and literal location.

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