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  1. Charge of the Lancers

    Charge of the Lancers

    1954 · Adventure · 1h 14m

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  1. Charge of the Lancers is a 1954 American adventure film directed by William Castle and starring Paulette Goddard, Jean-Pierre Aumont and Karin Booth.

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  3. Charge of the Lancers: Directed by William Castle. With Paulette Goddard, Jean-Pierre Aumont, Richard Stapley, Karin Booth.

    • (148)
    • Action, Adventure, Drama
    • William Castle
    • 1954-02
  4. Jun 19, 2013 · Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘The Charge of the Lancers’ was created in 1915 by Umberto Boccioni in Futurism style.

    • Summary of Umberto Boccioni
    • Accomplishments
    • Biography of Umberto Boccioni

    Umberto Boccioni was one of the most prominent and influential artists among the Italian Futurists, an art movement that emerged in the years before the First World War. Boccioni was important not only in developing the movement's theories, but also in introducing the visual innovations that led to the dynamic, Cubist-like style now so closely asso...

    Although Boccioni deserves a great amount of credit for evolving the style now associated with Italian Futurism, he first matured as a Neo-Impressionist painter, and was drawn to landscape and port...
    Boccioni believed that scientific advances and the experience of modernity demanded that the artist abandon the tradition of depicting static, legible objects. The challenge, he believed, was to re...
    Despite his fascination with physical movement, Boccioni had a strong belief in the importance of intuition, an attitude he inherited from the writings of Henri Bergson and the Symbolist painters o...

    Childhood

    Umberto Boccioni was born in 1882 in Reggio Calabria, a rural region on the southern tip of Italy. His parents had originated from the Romagna region, further north. As a young boy, Boccioni and his family moved frequently, eventually settling in the Sicilian city of Catania in 1897, where he received the bulk of his secondary education. There is little evidence to suggest he had any serious interest in the fine arts until 1901, at which time he moved from Catania to Rome and enrolled at the...

    Early Training

    It was in Rome that Boccioni first connected with his future Futurist collaborator Gino Severini. Both studied under Giacomo Balla, who was renowned as a Divisionist painter, and Boccioni became a loyal student of the style. During these years he also continued his travels in Italy and beyond; he visited Paris for an extended period, where he encountered Impressionismfor the first time, and followed this with a sojourn to Russia. During this period, much of the art being produced in Italy was...

    Mature Period

    The beginning of Futurism coincided with Boccioni's most prolific period as an artist. On February 11, 1910, under the leadership of Boccioni, the "Manifesto of Futurist Painters" was published by Marinetti's magazine Poesia, and was signed by Severini, Ballaand others. Addressed to the "Young Artists of Italy," this new manifesto, much like its predecessor, attacked institutions like museums and libraries, which the Futurists now considered redundant. Boccioni and the Futurists were aiming a...

    • Italian
    • October 19, 1882
    • Reggio Calabria, Italy
    • August 17, 1916
  5. Charge of the Lancers, from Columbia, opens as two officers, British Major Bruce Lindsey (Richard Stapley, aka Richard Wyler) and French Captain Eric Evoir (Jean-Pierre Aumont), transport a new weapon to be used against the Russians at the height of the Crimean War.

    • William Castle, Irving Moore
    • Paulette Goddard
  6. The Charge of the Light Brigade was a military action undertaken by British light cavalry against Russian forces during the Battle of Balaclava in the Crimean War, resulting in many casualties to the cavalry.

  7. Jan 8, 2012 · In The Charge of the Lancers, a collage of 1915, Boccioni depicts a fierce cavalry trampling soldiers with bayonets. The tragic irony of this picture lies in the fact that just one year later Boccioni died after being thrown from, and trampled by, his horse.

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