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  1. Laws of Attraction

    Laws of Attraction

    PG-132004 · Romantic comedy · 1h 29m

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  2. Apr 30, 2004 · LAWS OF ATTRACTION. Roger Ebert April 30, 2004. Tweet. Now streaming on: Powered by JustWatch. Opposites attract, it's true, but the problem with the two divorce lawyers in "Laws of Attraction" is that they're not opposites.

  3. Apr 4, 2004 · 18% Tomatometer 147 Reviews 47% Audience Score 25,000+ Ratings Audrey Woods (Julianne Moore) and Daniel Rafferty (Pierce Brosnan) are rival divorce lawyers who are complete opposites: She...

    • (147)
    • Peter Howitt
    • PG-13
    • Pierce Brosnan
    • Laws of Attraction Reviews1
    • Laws of Attraction Reviews2
    • Laws of Attraction Reviews3
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    • Laws of Attraction Reviews5
  4. In LAWS OF ATTRACTION, successful divorce lawyer Audrey (Julianne Moore) has no interest in any romantic entanglements of her own. She is very tough but she plays by the rules.

    • Julianne Moore, Parker Posey, Pierce Brosnan
    • Peter Howitt
    • New Line
  5. Apr 30, 2004 · Laws of Attraction: Directed by Peter Howitt. With Pierce Brosnan, Julianne Moore, Michael Sheen, Parker Posey. Amidst a sea of litigation, two New York City divorce lawyers find love.

    • (25K)
    • Comedy, Romance
    • Peter Howitt
    • 2004-04-30
  6. In New York, the efficient, insecure and single divorce lawyer Audrey Woods (Julianne Moore) faces the charming, unethical but also efficient divorce lawyer Daniel Rafferty (Pierce Brosnan) in a litigation case.

  7. www.pluggedin.com › movie-reviews › lawsofattractionLaws of Attraction - Plugged In

    Laws of Attraction acts like it wants to spar with the Coen Brothers’ Intolerable Cruelty: The nasty world of divorce attorneys gets rocked by the truth that marriage is an honorable institution. Attraction wins some points by significantly dialing down the crass sexual content prolific in Cruelty and minimizing its harsh profanity.

  8. Feb 9, 2024 · Laws of Attraction (2004) Movie Review: The romantic comedy genre is beholden to a typical set of plot beats and characters. A classic film takes two diametrically opposing characters. It places a central conflict between them and puts them in a situation where they would naturally come together.

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