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  1. The Wrong Man

    The Wrong Man

    1957 · Crime drama · 1h 45m

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  1. Feb 17, 2016 · Glenn Kenny February 17, 2016. Tweet. With the possible exception of the 1953 film “I Confess,” Alfred Hitchcock ’s 1956 title “The Wrong Man” is the least fun, or “fun,” movie of the master of suspense’s long and incredibly fruitful Hollywood period. Yes, earlier pictures like “ Rope ” and later pictures such as “Psycho ...

  2. 93% Tomatometer 27 Reviews 75% Audience Score 5,000+ Ratings Musician Manny Balestrero (Henry Fonda) needs money to pay for his wife Rose's (Vera Miles) dental procedure. When he tries to borrow...

    • (27)
    • Henry Fonda
    • Alfred Hitchcock
    • Crime, Drama
  3. 194 Reviews. Hide Spoilers. Sort by: Filter by Rating: 9/10. Disquieting, a steely Fonda, and amazing Hitchcock. But it might make you edgy. secondtake 11 March 2010. The Wrong Man (1956) There's no question Alfred Hitchcock has pulled off something amazing here, a kind of experiment.

  4. Apr 10, 2024 · Always subtle in its messaging, “The Wrong Man” gives a sense that Manny’s ordeal under the New York City police’s persecution would be much worse if he didn’t project as a kind, calm man while being taken in, arrested, charged, jailed and tried. “The Wrong Man” (1956) Director: Alfred Hitchcock. Writers: Maxwell Anderson, Angus MacPhail.

  5. Sep 8, 2004 · by Eric Henderson. September 8, 2004. Claims that The Wrong Man is the first film Alfred Hitchcock made based on real events are a tad spurious (Leopold and Loeb, anyone?), but it does find the master far enough removed from his P.T. Barnum impulses that one could be forgiven for thinking its somber gravity represented his first stab at docudrama.

  6. The Wrong Man: Directed by Alfred Hitchcock. With Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone. In 1953, an innocent man named Christopher Emanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.

  7. The Wrong Man Reviews. All Critics. Top Critics. All Audience. Verified Audience. Jean-Luc Godard Cahiers du Cinéma. With each shot, each transition, each composition, Hitchcock does the...

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