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Oct 19, 2018 · The Price of Everything. Tomris Laffly October 19, 2018. Tweet. Now streaming on: Powered by JustWatch. “There are three kinds of people in this world,” says Sotheby’s Fine Arts chair Amy Cappellazzo in Nathaniel Kahn ’s “The Price of Everything,” a scrappy documentary on the increasingly currency-focused machinations of the art world.
Oct 19, 2018 · The Price of Everything: Directed by Nathaniel Kahn. With Jeff Koons, Paul Schimmel, Larry Poons, Stefan Edlis. With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a fun-house mirror up to our values and times.
- (1.3K)
- Documentary
- Nathaniel Kahn
- 2018-10-19
Oct 19, 2018 · Filmmaker Nathaniel Kahn delves into the contemporary art world, where everything can be bought and sold.
- (54)
- Jeff Koons
- Nathaniel Kahn
- Documentary
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Synopsis. Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.
- (39)
- Mary Boone
- Nathaniel Kahn
- 26
Oct 16, 2018 · Directed by Nathaniel Kahn. Documentary. 1h 38m. By A.O. Scott. Oct. 16, 2018. “There are a lot of people who know the price of everything and the value of nothing,” the art collector Stefan...
- Nathaniel Kahn
Featuring collectors, dealers, and a rich range of artists from Jeff Koons and Gerhard Richter to one-time art star Larry Poons, the film exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless. 84 IMDb 7.3 1 h 34 min 2018.
Available on Prime Video. Basquiat paintings regularly fetch tens of millions of dollars, and the recent sale of a little-known Da Vinci topped $450 million - but what forces are driving the white-hot art market? Who assigns and who pays these astronomical sums? What currency adequately measures art’s value?