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  1. May 8, 2009 · Star Trek: Directed by J.J. Abrams. With Chris Pine, Zachary Quinto, Leonard Nimoy, Eric Bana. The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.

    • (621K)
    • Action, Adventure, Sci-Fi
    • J.J. Abrams
    • 2009-05-08
  2. Star Trek is a 2009 American science fiction action film directed by J. J. Abrams and written by Roberto Orci and Alex Kurtzman. It is the 11th film in the Star Trek franchise, and is also a reboot that features the main characters of the original Star Trek television series portrayed by a new cast, as the first in the rebooted film series.

  3. Justin Stafford. ... special contact lens painter. Susan Stepanian. ... makeup artist. Miho Suzuki. ... makeup effects lab technician: Proteus Make-up FX.

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  5. After a break of several years, a new film simply titled Star Trek was released in 2009. It serves as a reboot of the franchise, with new actors portraying younger versions of the Original Series characters, but it is technically a narrative continuation set in an alternate timeline called the "Kelvin Timeline".

  6. Synopsis. 2009 • PG-13. James T. Kirk attempts to live up to his potential and the legacy of his father, while a vengeful Romulan from the future attempts to destroy a Federation he feels is responsible for the death of his family and homeworld. James T. Kirk attempts to live up to his potential and the legacy of his father, while a vengeful ...

  7. Synopsis. In 2233, the Federation star ship USS Kelvin is investigating a "lightning storm" in space. A Romulan ship, Narada, emerges from the storm and attacks the Kelvin leaving it defenseless. Narada's first officer, Ayel (Clifton Collins, Jr.), demands that Kelvin's Captain Robau (Faran Tahir) come aboard to negotiate a truce.

  8. May 6, 2009 · Screenplay by. Roberto Orci. Alex Kurtzman. “Star Trek” as a concept has voyaged far beyond science fiction and into the safe waters of space opera, but that doesn’t amaze me. The Gene Roddenberry years, when stories might play with questions of science, ideals or philosophy, have been replaced by stories reduced to loud and colorful action.

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