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  1. Fourteen Hours

    Fourteen Hours

    1951 · Thriller · 1h 32m

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  1. Fourteen Hours is a 1951 American drama directed by Henry Hathaway that tells the story of a New York City police officer trying to stop a despondent man from jumping to his death from the 15th floor of a hotel. The film stars Richard Basehart, Paul Douglas, Barbara Bel Geddes, and Debra Paget. It also marked the screen debut of Grace Kelly and ...

  2. Fourteen Hours: Directed by Henry Hathaway. With Paul Douglas, Richard Basehart, Barbara Bel Geddes, Debra Paget. An unhappy man threatens suicide by standing on the ledge of a high-rise building for 14 hours.

    • (3K)
    • Drama, Film-Noir, Thriller
    • Henry Hathaway
    • 1951-05-20
  3. Cast (in credits order) complete, awaiting verification. Paul Douglas. ... Police Officer Charlie Dunnigan. Richard Basehart. ... Robert Cosick. Barbara Bel Geddes.

  4. Fourteen Hours. Preparing to jump from the ledge of a skyscraper, Robert Cosick (Richard Basehart), a depressed young man, is spotted by police officer Charlie Dunnigan (Paul Douglas), who ...

    • (8)
    • Paul Douglas
    • Henry Hathaway
    • Mystery & Thriller
  5. Film Length. 8,203ft (10 reels) Early one morning, a room service waiter at the Rodney Hotel in New York City is horrified to discover that the young man to whom he has just delivered breakfast is standing on the narrow ledge outside his fourteenth-floor room. When the youth threatens to jump, the waiter notifies the hotel manager, while ...

    • Henry Hathaway, Abe Steinberg
    • Paul Douglas
  6. Mar 8, 2020 · Fourteen Hours is a 1951 film noir directed by Henry Hathaway. The film won critical acclaim for Richard Basehart, who portrayed the mentally disturbed man on the building ledge. Paul Douglas played the police officer, and a large supporting cast included Barbara Bel Geddes, Agnes Moorehead, Robert Keith, Debra Paget and Howard Da Silva.

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  8. While on patrol on Lower Manhattan on St. Patrick's Day, traffic cop Charlie Dunnigan spots a potential suicide on a ledge of a Broadway hotel. Because the young man vocalizes his dislike for the police, Dunnigan alters his uniform and establishes a rapport with him. When the police rescue squad arrives, Dunnigan returns to his street duties.

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