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Buddenbrooks (German: [ˈbʊdn̩ˌbʁoːks] ⓘ) is a 1901 novel by Thomas Mann, chronicling the decline of a wealthy north German merchant family over the course of four generations, incidentally portraying the manner of life and mores of the Hanseatic bourgeoisie in the years from 1835 to 1877.
- Thomas Mann
- 1901
Jul 27, 2012 · Buddenbrooks is a 1901 novel by Thomas Mann, chronicling the decline of a wealthy north German merchant family over the course of four generations, incidentally portraying the manner of life and mores of the Hanseatic bourgeoisie in the years from 1835 to 1877.
- (31.3K)
- Hardcover
Oct 9, 2022 · Of the many works by the renowned German author Thomas Mann (1875–1955), including Death in Venice and The Magic Mountain, none match the epic proportion or literary legacy of the novel Buddenbrooks. Written early in his career, this story of the decline of the family symbolized by the Buddenbrooks chronicles not simply an increase in ...
Buddenbrooks: With Ursula Dirichs, Reinhild Solf, Volkert Kraeft, Gerd Böckmann. Family saga set in 19th century Germany, chronicling the lives of three generations of the Buddenbrook family, the owners of a family business in the northern town of Luebeck. Based on the novel by Thomas Mann.
- (144)
- 1979-10-05
- Drama
- 614
Jun 28, 1994 · Buddenbrooks, first published in Germany in 1900, when Mann was only twenty-five, has become a classic of modem literature -- the story of four generations of a wealthy bourgeois family in northern Germany.
- Thomas Mann
- $15.99
- Vintage
Overview. Thomas Mann’s novel Buddenbrooks: The Decline of a Family was first published in 1901 and came to be recognized as a monumental work in the canon of modern literature. Thomas Mann (1875–1955) was a German novelist and recipient of the Nobel Prize in Literature in 1929 for his novels, Buddenbrooks and The Magic Mountain.
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Buddenbrooks, novel by Thomas Mann, published in 1901 in two volumes in German as Buddenbrooks, Verfall einer Familie (“Buddenbrooks, the Decline of a Family”). The work was Mann’s first novel, and it expressed the ambivalence of his feelings about the value of the life of the artist as opposed to.
