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  1. The Mystery of Picasso

    The Mystery of Picasso

    PG1956 · Documentary · 1h 27m

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  1. Aug 10, 2020 · This film documents the production of 20 original works by Picasso. Here we see how Picasso’s earlier works were made principally in black ink, with little tinges of color at certain places and...

    • Aug 11, 2020
    • 70.6K
    • Contemporary Art Fashion Slub Pop Kitsch
  2. The Mystery of Picasso ( French: Le mystère Picasso) is a 1956 French documentary film directed by Henri-Georges Clouzot. In it, the painter Pablo Picasso produces 20 drawings and paintings, at first using inks that bleed through the paper on which he is drawing, with the act of creation filmed in real-time from the backside of the easel, and ...

  3. The Mystery of Picasso: Directed by Henri-Georges Clouzot. With Pablo Picasso, Henri-Georges Clouzot, Claude Renoir. A filmed record of Pablo Picasso painting numerous canvases for the camera, allowing us to see his creative process at work.

    • (2.7K)
    • Documentary, Biography, History
    • Henri-Georges Clouzot
    • 1956-05-18
  4. The Mystery of Picasso Filmmaker Henri-Georges Clouzot and the most influential artist of the twentieth century, Pablo Picasso, use experimental and innovative techniques to create an entirely new kind of art documentary.

  5. The Mystery of Picasso. Directed by Henri-Georges Clouzot1956 • France. Starring Pablo Picasso. In 1955, Henri-Georges Clouzot joined forces with his friend Pablo Picasso to make an entirely new kind of art film, “a film that could capture the moment and the mystery of creativity.”.

  6. Feb 27, 2019 · The Mystery of Picasso embraces and deconstructs artistic mythologies, as Picasso’s effortlessness is revealed to be an illusion. And, if one looks closer, his process doesn’t seem so instantaneous after all.

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  8. The Mys­tery of Picas­so (in French Le Mys­tère Picas­so) is a unique col­lab­o­ra­tion between film­mak­er and painter. Pauline Kael called it “One of the most excit­ing and joy­ful movies ever made.” The film is not so much a doc­u­men­tary as a care­ful­ly con­trived cin­e­mat­ic depic­tion of Picas­so’s cre­ative process.

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