Jean-Pierre Léaud
Antoine Doinel
Search results
The 400 Blows (French: Les quatre cents coups) is a 1959 French coming-of-age drama film, and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier.
The 400 Blows: Directed by François Truffaut. With Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble. A young boy, left without attention, delves into a life of petty crime.
Francois Truffaut's "The 400 Blows" (1959) is one of the most intensely touching stories ever made about a young adolescent. Inspired by Truffaut's own early life, it shows a resourceful boy growing up in Paris and apparently dashing headlong into a life of crime. Adults see him as a troublemaker.
A seminal French New Wave film that offers an honest, sympathetic, and wholly heartbreaking observation of adolescence without trite nostalgia. For young Parisian boy Antoine Doinel (Jean-Pierre ...
- (71)
- Crime, Drama
Told from the point of view of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows (Les quatre cents coups) sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.
The 400 Blows, French film drama, released in 1959, that defined the New Wave cinema movement created by young French directors in the late 1950s and ’60s.
14-year-old Antoine Doinel is unfairly punished in school by his teacher in French literature. Next morning his friend René suggests that they play truant. Instead of going to school, they go to the cinema, play pinball, and visit a huge amusement rotor.
YouTube Movies & TV. 181M subscribers. ...more. François Truffaut’s first feature is also his most personal. Told through the eyes of Truffaut’s cinematic counterpart, Antoine Doinel...
Told through the eyes of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), THE 400 BLOWS sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.
Overview. For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life.
