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  1. Uberto of the mirrors

    Uberto of the mirrors

    2016 · Documentary · 1h 18m
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  1. Umberto D. This neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make ends meet during Italy’s postwar economic recovery.

    • Umberto Domenico Ferrari
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  2. Apr 28, 2002 · Vittorio De Sica 's "Umberto D" (1952) is the story of the old man's struggle to keep from falling from poverty into shame. It may be the best of the Italian neorealist films--the one that is most simply itself, and does not reach for its effects or strain to make its message clear.

  3. Apr 17, 2022 · Umberto D. is a 1952 Italian neorealist film directed by Vittorio De Sica. Most of the actors were non-professional, including Carlo Battisti who plays the title role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. Addeddate. 2022-04-17 14:20:16. Identifier.

  4. Sep 4, 2012 · Sep 4, 2012. U mberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning routine), performed with little or no dialogue and shot as if in real time.

  5. en.wikipedia.org › wiki › Umberto_DUmberto D. - Wikipedia

    Plot. Police disperse an organized street demonstration of elderly men demanding a raise in their meager pensions. One of the marchers is Umberto D. Ferrari, a retired government worker. He returns to his room and finds that his landlady has rented it out for an hour to a young couple to have sex.

  6. Umberto D.: Directed by Vittorio De Sica. With Carlo Battisti, Maria Pia Casilio, Lina Gennari, Ileana Simova. An elderly man and his dog struggle to survive on his government pension in Rome.

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  8. Home / 'Umberto D' ending explained. Vittorio De Sica Drama Carlo Battisti Maria Pia Casilio Lina Gennari. Discover the poignant ending of vittorio de sicas classic film umberto d as we delve into the emotional conclusion of this timeless italian neorealist masterpiece.

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