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  1. en.wikipedia.org › wiki › BlowupBlowup - Wikipedia

    Blow-Up (sometimes styled as Blowup or Blow Up) is a 1966 psychological mystery [3] film directed by Michelangelo Antonioni, co-written by Antonioni, Tonino Guerra and Edward Bond [4] and produced by Carlo Ponti. It is Antonioni's first entirely English-language film and stars David Hemmings, Vanessa Redgrave and Sarah Miles.

  2. A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park.

  3. Nov 8, 1998 · Blow-Up. Roger Ebert November 08, 1998. Tweet. A grainy encounter between David Hemmings and Vanessa Redgrave in the park. Now streaming on: Powered by JustWatch. Michelangelo Antonioni's "Blow-Up" opened in America two months before I became a film critic, and colored my first years on the job with its lingering influence.

  4. Directed by Michelangelo Antonioni. With David Hemmings, Vanessa Redgrave and Sarah Miles. Blow Up Blu-ray (Amazon) https://amzn.to/4bNksgb Blow Up Blu-ray (Criterion)...

  5. Blow-Up (1966) cast and crew credits, including actors, actresses, directors, writers and more.

  6. Released Dec 18, 1966 1h 51m Crime Drama List. 87% Tomatometer 53 Reviews 84% Audience Score 25,000+ Ratings Thomas (David Hemmings) is a London photographer who spends his time...

  7. Although released in 1966, BLOWUP is remarkably pertinent today, nearly 40 years later. Its theme of reality/illusion, with people seeing or not seeing what they want not to see, is still pertinent in this era of "missing" weapons of mass destruction.

  8. Blow-Up. 1966 · 1 hr 52 min. TV-MA. Drama · Crime · Thriller. A fashion photographer who casually takes a somewhat voyeuristic shot of a man and a woman in an embrace comes to discover he captured a murder. Subtitles: English.

  9. Blow-Up. In 1966, Michelangelo Antonioni transplanted his existentialist ennui to the streets of swinging London for this international sensation, the Italian filmmaker’s first English-language feature.

  10. Winner of the Palme D'Or (Best Picture) at the 1967 Cannes Film Festival. Voted Best Picture and Best Director of the Year by the 1966 National Society of Film Critics. Voted One of the Year's Ten Best Films by the 1966 New York Times Film Critics. A photographer discovers a murder in the background of a candid photo.

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