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  1. The Murder Man

    The Murder Man

    1935 · Crime drama · 1h 10m

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  1. The Murder Man: Directed by Tim Whelan. With Spencer Tracy, Virginia Bruce, Lionel Atwill, Harvey Stephens. When a crooked businessman is fatally shot, a hotshot New York newspaper reporter specializing in murder stories narrows in on the dead man's associate.

    • (1.3K)
    • Crime, Drama, Mystery
    • Tim Whelan
    • 1935-07-12
  2. The Murder Man is a 1935 American crime - drama film starring Spencer Tracy, Virginia Bruce, and Lionel Atwill, and directed by Tim Whelan. The picture was Tracy's first film in what would be a twenty-year career with MGM.

  3. When crooked businessman J. Spencer Halford is murdered, New York Daily Star crack reporter Steve Grey, known as the "Murder Man" because of his expertise in reporting on homicide cases, is put on the story. With Steve's help, police investigators determine that Halford was shot by a bullet fired from a shooting gallery located across the ...

    • Tim Whelan, Dave Friedman
    • Spencer Tracy
  4. A man is murdered and hard-drinking reporter Spencer Tracy is on the story. Tracy specializes in murder cases, not only scooping other papers but often figuring out the cases before the police do. Here his investigation leads the police to the murdered man's shady business partner.

  5. When a crooked businessman is fatally shot, a hotshot New York newspaper reporter specializing in murder stories narrows in on the dead man's associate. Steve Grey, reporter for the Daily Star, has a habit of scooping all the other papers in town.

  6. Steve Grey (Spencer Tracy) is an ace newspaper reporter with a keen eye for details on the homicide beat. So, when a local rogue is shot and killed, the police pay special attention to Grey's...

    • Crime, Drama
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  8. Steve Grey, reporter for the Daily Star, has a habit of scooping all the other papers in town. When Henry Mander is investigated for the murder of his shady business partner, Grey is one step ahead of the police to the extent that he often dictates his story in advance of its actual occurrence.

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