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  1. Eyes Without a Face

    Eyes Without a Face

    1962 · Horror · 1h 30m

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  1. Eyes Without a Face (French: Les Yeux sans visage) is a 1960 French-language horror film directed by Georges Franju. The film stars Pierre Brasseur and Alida Valli. Based on the novel of the same name by Jean Redon, it revolves around a plastic surgeon who is determined to perform a face transplant on his daughter, who was disfigured in a car ...

  2. Eyes Without a Face: Directed by Georges Franju. With Pierre Brasseur, Alida Valli, Juliette Mayniel, Alexandre Rignault. A surgeon causes an accident which leaves his daughter disfigured and goes to extreme lengths to give her a new face.

    • (35K)
    • Drama, Horror
    • Georges Franju
    • 1962-10-24
  3. Sep 5, 2021 · The film, a French-Italian co-production, stars Pierre Brasseur and Alida Valli. Based on the novel of the same name by Jean Redon, it revolves around a plastic surgeon who is determined to perform a face transplant on his daughter, who was disfigured in an auto crash.

    • 89 min
    • 15.6K
    • MinimalisT ChanneL
  4. Sound engineer. Antoine Archimbaud. At his secluded chateau in the French countryside, a brilliant, obsessive doctor (Pierre Brasseur) attempts a radical plastic surgery to restore the beauty of his daughter’s disfigured countenance—at a horrifying price.

    • Dr. Génessier
  5. Dr. Génessier (Pierre Brasseur) is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane (Edith Scob), who outsiders believe is...

    • (61)
    • Pierre Brasseur
    • Georges Franju
    • Horror, Drama
  6. Jul 31, 2022 · French. At his secluded chateau in the French countryside, a brilliant, obsessive doctor (Pierre Brasseur) attempts a radical plastic surgery to restore the beauty of his daughter’s disfigured countenance—at a horrifying price.

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  8. Oct 31, 2003 · Having reported Christiane missing after the accident, Genessier identifies the dead woman in the river as his daughter, and prepares to remove the face of the new victim, Paulette (Beatrice Altariba). The film is done in a sober, muted style, with stark black and whites and the bizarre camera angles much loved by film noir.

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