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The Morning After is a 1986 American psychological thriller film directed by Sidney Lumet and starring Jane Fonda, Jeff Bridges, and Raul Julia. It follows a washed-up, alcoholic actress who awakens on Thanksgiving morning beside the dead body of a photographer in his loft, with no memory of the events from the night before.
"The Morning After" is a song written by Al Kasha and Joel Hirschhorn for the 1972 film The Poseidon Adventure, winning Best Original Song at the 45th Academy Awards. Following this success, Maureen McGovern recorded a single version that became a No. 1 hit in the US for two weeks during August 1973, with Gold record sales. [2]
There's got to be a morning after If we can hold on through the night We have a chance to find the sunshine Let's keep on lookin' for the light Oh, can't you see the morning after It's...
Dec 25, 1986 · The Morning After: Directed by Sidney Lumet. With Jane Fonda, Jeff Bridges, Raul Julia, Diane Salinger. A washed-up, alcoholic actress who is prone to blackouts wakes up next to a murdered man.
May 10, 2014 · Maureen Mcgovern - The Morning After (1973) adamtrng. 57.8K subscribers. Subscribed. 515. 54K views 10 years ago. There's got to be a morning after If we can hold on through the night We...
Apr 24, 2018 · Maureen McGovern - The Morning After (video editado) RUBEN ROCK GOMEZ. 23.5K subscribers. Subscribed. 17K. 1.3M views 6 years ago.
Apr 27, 2024 · Maureen McGovern’s “The Morning After” is a timeless song that encapsulates the fear, confusion, and resilience one feels in the face of life’s challenges. The song, written by Al Kasha and Joel Hirschhorn, became popular when it was featured in the 1972 disaster film “The Poseidon Adventure.”
The Morning After. Roger Ebert December 25, 1986. Tweet. Now streaming on: Powered by JustWatch. If an ordinary person woke up in the morning feeling the way a drunk feels with a hangover, he would call an ambulance and check himself into the emergency room.
The song is about weathering the storm (figuratively and, in the context of the movie, literally), knowing there has to be a morning after when it will all be over. In the movie, this was sung by Renee Amand, with Carol Lynley lip-synching to it in front of the camera.
In the morning, Turner gives Viveca a newspaper that announces she is a murder suspect. Intoxicated and belligerent, Viveca becomes incensed when Turner suggests she is the perfect target for a swindler.
