Sydney Sweeney
Sister Cecilia
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Immaculate is a 2024 American horror film directed by Michael Mohan and written by Andrew Lobel. It stars Sydney Sweeney (who also produced), Álvaro Morte, Benedetta Porcaroli, Dora Romano, Giorgio Colangeli, and Simona Tabasco.
Mar 22, 2024 · Immaculate: Directed by Michael Mohan. With Sydney Sweeney, Álvaro Morte, Simona Tabasco, Benedetta Porcaroli. Cecilia, a woman of devout faith, is warmly welcomed to the picture-perfect Italian countryside where she is offered a new role at an illustrious convent.
Sydney Sweeney (Anyone But You, Euphoria, The White Lotus) stars as Cecilia, an American nun of devout faith, embarking on a new journey in a remote convent in the picturesque Italian countryside....
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Sydney Sweeney (Anyone But You, Euphoria, The White Lotus) stars as Cecilia, an American nun of devout faith, embarking on a new journey in a remote convent in...
Check out the official trailer for IMMACULATE directed by Michael Mohan Starring: Sydney Sweeney, Álvaro Morte, Benedetta Porcaroli Synopsis: Cecilia, a woman of devout faith, is offered a...
IMMACULATE | Official Trailer (NEW 2024) Sydney Sweeney - YouTube. 0:00 / 2:13. SUBSCRIBE for more JOBLO HORROR TRAILERS here: https://goo.gl/WiC41UCecilia a woman of devout faith is warm...
Mar 13, 2024 · Helmer Michael Mohan and star Sydney Sweeney reteam for horror in the Italian countryside as a virginal nun has an unwanted pregnancy in 'Immaculate.'
Jan 25, 2024 · Immaculate stars Sweeney as Cecilia, a deeply religious woman who moves into a convent in the Italian countryside but soon learns that her new home holds terrifying secrets. The footage shows...
May 17, 2024 · IMMACULATE. Play Trailer. WATCH. 2024. // 89. mins. Sydney Sweeney (Anyone But You, Euphoria, The White Lotus) stars as Cecilia, an American nun of devout faith, embarking on a new journey in a remote convent in the picturesque Italian countryside.
Mar 14, 2024 · Immaculate. Horror. 89 minutes ‧ R ‧ 2024. Brian Tallerico. March 14, 2024. 4 min read. “Immaculate” feels like both a throwback to another era of Italian horror and a timely commentary on woman’s bodily autonomy, but it can’t match the flair of the former and lacks the thematic thrust to convey anything resonant about the latter.
