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Cookie's Fortune is a 1999 American black comedy film directed by Robert Altman and starring Glenn Close, Julianne Moore, Liv Tyler, Patricia Neal, Charles S. Dutton, and Chris O'Donnell. It follows a dysfunctional family in small-town Mississippi and their various responses to the suicide of their wealthy aunt, some of them turning criminal.
Apr 16, 1999 · Cookie's Fortune: Directed by Robert Altman. With Glenn Close, Julianne Moore, Liv Tyler, Chris O'Donnell. Conflict arises in the small town of Holly Springs when an old woman's death causes a variety of reactions among family and friends.
Apr 9, 1999 · "Cookie's Fortune'' is Robert Altman's sunniest film, a warm-hearted comedy that somehow manages to deal with death and murder charges without even containing a real villain.
4 days ago · Is Cookie's Fortune streaming? Find out where to watch online amongst 200+ services including Netflix, Hulu, Prime Video.
Conflict arises in the small town of Holly Springs when an old woman's death causes a variety of reactions among family and friends. Cookie's Fortune unfolds over an eventful Easter weekend in the small town of Holly Springs, Mississippi.
Dec 7, 2014 · Cookie's Fortune Trailer 1999 Director: Robert Altman Starring: Charles S. Dutton, Chris O'Donnell, Glenn Close, Julianne Moore, P ...more.
Cookie's Fortune. After learning that her aunt, an elderly Mississippi widow (Patricia Neal), has taken her own life, Camille (Glenn Close) hatches an unusual postmortem plan. With her sister ...
- (58)
- Comedy, Drama
- PG-13
Cookie's Fortune. A comedy about an elderly woman who commits suicide - and the efforts of her relatives to make it appear to be murder. 209 IMDb 6.8 1 h 58 min 1999. PG-13.
It was called, "Cookie's Fortune," and it's this month's Buried Treasure. With a clever screenplay by Anne Rapp, "Cookie's Fortune" tells the story of Willis (Charles S. Dutton), a handyman wrongly accused of murder in a small Mississippi town.
Jan 22, 1999 · By Todd McCarthy. The deceptively modest “Cookie’s Fortune” may or not be Robert Altman’s best film in years, but it is certainly his most pleasurable.