Roy Scheider
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Prisoner Without a Name, Cell Without a Number ( Spanish: Preso Sin Nombre, Celda Sin Numero) is a 1981 memoir by the left-wing Argentine journalist and publisher Jacobo Timerman, who was imprisoned without charge during the Dirty War in Argentina in April 1977 and subsequently tortured.
May 22, 1983 · Jacobo Timerman: Prisoner Without a Name, Cell Without a Number: Directed by Linda Yellen. With Roy Scheider, Liv Ullmann, Terry O'Quinn, Sam Robards. A well respected journalist in Buenos Aires, the editor of the major newspaper La Opinión, is kidnapped by the military for publishing articles critical of their terrorist tactics.
- (133)
- Drama
- Linda Yellen
- 1983-05-22
Original release. Network. NBC. Release. May 22, 1983. ( 1983-05-22) Jacobo Timerman: Prisoner Without a Name, Cell Without a Number is a 1983 American made-for-television drama film written, directed and produced by Linda Yellen. It is based on Jacobo Timerman 's 1981 autobiographical book Prisoner Without a Name, Cell Without a Number.
- Drama
Jan 1, 2001 · Jacobo Timerman's memoir provides a harrowing account of his time spent as a prisoner of the Argentinian military dictatorship. He describes the horrors of torture and solitary confinement and sketches out Argentinia's peculiar political landscape in the later 1970's.
- (585)
- Paperback
Plot Summary. Prisoner Without a Name, Cell Without a Number is a non-fiction memoir published in 1981 by the Soviet-born Argentine author Jacobo Timerman. It details Timerman's torture and imprisonment at the hands of Argentine military police serving under the far-right dictator Jorge Rafael Videla from 1977 to 1979.
Nov 7, 2010 · Prisoner Without a Name, Cell Without a Number is a poignant and poetic memoir of Timerman's rapid descent from being a well-known public figure to a nameless and hidden victim of the 1976-1983 military junta's oppression, but also an exploration of the societal passivity that permits totalitarianism to take hold.
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Brief Synopsis. In this dramatization of the story of Argentine newspaper publisher Timerman's experiences and torture in a secret prison, the casting of both Roy Scheider and Liv Ullmann, as Timerman and his wife, raised a good many critical eyebrows and seemed to work against the movie, as did trying to make New.
