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  1. " Nisennenmondai compose raw and repetitive (post) punk instrumentals, which can be groove-oriented whilst also having a no wave/disco vibe. Himeno tirelessly pounds at her snare and bass drum while slashing her cymbals, while Takada adds layers of delay and clangy sounding distortion.

  2. Mar 21, 2019 · In March 2015 Nisennenmondai released a new live record as a part of the ’Live at Clouds Hill’ series on Vinyl, CD & Digital Downloads (Audio & Video). It in...

    • 14 min
    • 62.2K
    • Clouds Hill Music
  3. nisennenmondai-music.bandcamp.com › album › n-a#N/A | Nisennenmondai

    Apr 1, 2016 · The new studio album #N/A (literally, Nisennenmondai with Adrian Sherwood) sees the cult Japanese trio filtering their epic motorik jams through the mixing desk of the legendary dub producer. Nisennenmondai are three girls from Tokyo, Sayaka Himeno (drums), Yuri Zaikawa (bass) and Masako Takada (guitar), who have been playing instrumental music ...

  4. May 26, 2015 · → WATCH ON BR.TV: http://bit.ly/1cXwF3J→ SUBSCRIBE TO BOILER ROOM: http://bit.ly/ZQSvQAOne of the best In Stereo sessions yet: Raucous Tokyo based three-piec...

  5. nisennenmondai.bandcamp.com › releasesE | nisennenmondai

    Oct 20, 2016 · experimental avantgarde dance indie industrial rock Japan. E by nisennenmondai, released 20 October 2016 1. E-102 you can download all songs of this album when you buy the album. NISENNENMONDAI / E 1.E-111 (5:48) 2.E-102 (16:06) 3.E-130 (8:32)

  6. nisennenmondai.bandcamp.com › album › nN' | nisennenmondai

    Mar 20, 2015 · experimental avantgarde dance indie industrial minimal rock Japan. N' by nisennenmondai, released 20 March 2015 1. A' you can download all tracks of this album when you buy this album. 1.A' 2.B-1' 3.B-2' 4.B-4 5.A' (Shackleton Remix) 6.B-1' (Shackleton Remix)

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  8. Jul 28, 2014 · When music repeats enough, time stops. Or rather, it seemingly ceases to exist. Japan’s Nisennenmondai have grown to almost exclusively explore this phenomenon, looping, repeating and pounding around and around until ‘then’ and ‘now’ dissipate, leaving behind nothing beyond a mesmeric infinity of kick drum thumps, bass line throbs, hi-hat ticks, and swirling, trippy electric […]

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