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Gabriella Pescucci (Italian pronunciation: [ɡabriˈɛlla peˈskuttʃi]; born 17 January 1941) is an Italian costume designer. In a career spanning over six decades, she is recognized for her prolific work across stage and screen. She has received numerous accolades, including an Academy Award, two BAFTA Awards, and two Emmy Awards.
Gabriella Pescucci is an Italian costume designer who has worked on films by Fellini, Griffi and Gilliam. She has won an Oscar and a BAFTA for her costumes in The Adventures of Baron Munchausen and The Age of Innocence.
- January 1, 1
- 31 sec
- Rosignano Marittimo, Tuscany, Italy
Gabriella Pescucci (born 1941 in Rosignano Solvay, Tuscany) is an Italian costume designer. She has worked with directors Pier Paolo Pasolini, Federico Fellini, Sergio Leone, Terry Gilliam, Martin Scorsese, Tim Burton and Neil Jordan. In 1993 she won an Oscarfor The Age of Innocence.
Apr 11, 2017 · Gabriella Pescucci: The Frock Flicks Guide. Kendra April 11, 2017. 20 392. Gabriella Pescucci is one of my favorite costume designers, specifically for her work on The Age of Innocence and The Borgias — you also probably know her for Dangerous Beauty and Penny Dreadful.
- Pierre Auguste-Renoir, “La Loge,” 1874
- Thutmose, Nefertiti Bust, 1345 B.C.
- James Tissot, “The Japanese Vase,” 1870
- Berthe Morisot, “Woman at Her Toilette,” 1875/80
- Pierre Auguste-Renoir, “Woman in A Lace Blouse,” 1869
In English, the title “La Loge” translates to “The Theatre Box.” According to the Courtault Gallery in London, which is where the painting now lives resides as part of a larger collection of Impressionist works of art, “In turning away from the performance, Renoir focused instead upon the theatre as a social stage where status and relationships wer...
On display in Berlin at the famous Neues Museum, the Nefertiti bust is more than 3,000 years old. Although Nefertiti’s bust was not discovered by archeologists until 1912, Europe’s fascination with Ancient Egyptian culture and mysticism began long before, in the early part of the 19th century — probably even before the events in “Penny Dreadful” ta...
Although a contemporary of the Impressionists, Tissot’s style of painting is not Impressionist per-se. While he does employ certain Impressionist techniques — a preference for landscape settings and a warm color palette that infuses a dream-like quality into much of his work — Tissot’s attention to detail, on apparel in particular, borders on photo...
Morisot’s “Woman at Her Toilette” upends normal expectations of a portrait by its refusal to show the woman’s face, despite the presence of a mirror in the scene. While the pastel color palette is rather unassuming, the view of the woman from the back seems to be a recognition, at least on Morisot’s part, that style and image can function as powerf...
Despite the oppressive quality of Renoir’s “Woman in a Lace Blouse,” the meticulously painted lace stands out from the rest of the canvas. Despite covering the woman’s chest and her arms, the pattern of the dark lace contrasted against the woman’s pale skin suggests a certain sensuality about her that hides in plain sight. Pescucci seems to recogni...
Mini Bio. Gabriella Pescucci was born in Rosignano Solvay in Tuscany in 1943 and began her film career as an assistant to Piero Tosi in the late 1960s. By the 1970s she was working as a costume designer in her own right with several films for Giovanni Patroni Griffi and also for Fellini, making her international debut in 1984 with 'Once Upon a ...
May 14, 2015 · The key to the look of the show, set in 1890s London, is costumer designer Gabriella Pescucci, who’s worked with Tim Burton, Terry Gilliam, Martin Scorsese and Federico Fellini.
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