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Francesca Gaetana Cosima Wagner ( née Liszt; 24 December 1837 – 1 April 1930) was the daughter of the Hungarian composer and pianist Franz Liszt and Franco-German romantic author Marie d'Agoult. She became the second wife of the German composer Richard Wagner, and with him founded the Bayreuth Festival as a showcase for his stage works ...
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Oct 24, 2020 · Cosima Wagner (born Francesca Gaetana Cosima Liszt; 24 December 1837 – 1 April 1930) was the daughter of the Hungarian pianist and composer Franz Liszt and M...
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Apr 15, 2024 · Cosima Wagner (born December 25, 1837, Bellagio, Lombardy, Austrian Empire [now in Italy]—died April 1, 1930, Bayreuth, Germany) was the wife of the composer Richard Wagner and director of the Bayreuth Festivals from his death in 1883 to 1908. Cosima was the illegitimate daughter of the composer-pianist Franz Liszt and the countess Marie d ...
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Cosima Wagner (born December 25, 1837, Bellagio, Lombardy, Austrian Empire [now in Italy] – died April 1, 1930, Bayreuth, Germany), wife of the composer Richard Wagner and director of the Bayreuth Festivals from his death in 1883 to 1908. Cosima was the illegitimate daughter of the composer-pianist Franz Liszt and the countess Marie d’Agoult.
Wagner, Cosima (1837–1930) Daughter of one great musician and wife of another who was instrumental in helping found Bayreuth, the festival featuring her husband's operas, and ensuring its survival as an annual event of worldwide fame . Born Cosima Liszt in Bellagio, on Lake Como, on December 24, 1837; died in Bayreuth, Germany, on April 1 ...
From Cosima Wagner's Diaries At lunch a dismal occurrence; Fidi behaves badly toward his father; the dreadful thought that he might prove unworthy of him takes possession of me, and this thought, instead of being turned against myself in resigned acknowledgement of original sin, turns inside me against my child, and I hit him, so violently that ...
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Jul 9, 2011 · Cosima Liszt-Bülow-Wagner is inseparable from the saga of Richard Wagner (1813-83) and his artistic legacy. Controversial as Wagner’s art was to be for generations, his stature was never in doubt. But our image of Cosima has been a curiously shifting one. It continues to be so, in ways worth assessing, if only so that we might understand ...
