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Coat of arms of Queen Marie Louise. Marie Louise d'Orléans (Spanish: María Luisa de Orleans; 26 March 1662 – 12 February 1689) was Queen of Spain as the wife of King Charles II. She was born petite-fille de France as the daughter of Philippe I, Duke of Orléans and Princess Henrietta of England.
Life at Court. From 1627 to 1693. Reign of Louis XIV. Her traces at Versailles. Marie Louise d’Orléans, Duchess of Montpensier, was referred to by the title “Grande Mademoiselle” on account of her father, Gaston de France, the brother of King Louis XIII, otherwise known as “Grand Monsieur”.
Sep 16, 2022 · English: Marie Louise d' Orléans (26 April, 1662, Palais Royal, Paris, France - 12 February, 1689, Royal Alcazar, Madrid, Spain), eldest daughter of Duke Philippe I of Orléans and his first wife Princess Henrietta of England. She was Queen Consort of Spain from 1679 to 1689 as the first wife of King Charles II of Spain.
Philippe of France. Mother. Henrietta of England. Marie Louise d'Orléans (26 March 1662 – 12 February 1689) was the first wife of King Charles II of Spain. She was a granddaughter of Louis XIII of France. In her adopted country, she was known as Maria Luisa de Orléans .
Marie Louise d'Orleans (1662–1689) Queen-consort of Spain as wife of Charles II. Name variations: Marie Louise of Orleans or Orléans; Marie-Louise Bourbon-Orleans; Maria Luisa de Orleans, Maria Luisa de Borbon. Born April 26 (some sources cite March 27), 1662; died on February 12, 1689; daughter of Henrietta Anne (1644–1670) and Philip ...
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Sep 9, 2021 · Marie-Louise d’Orléans, Queen of Spain, died on February 12, 1689, at nine o’clock in the morning, “so quietly,” her confessor wrote, “that we hardly noticed her passing away”. Several accounts of the Queen’s illness did not forget to mention the hunting accident she suffered.
Marie Louise d’Orléans, Queen of Spain. Ca. 1679. Oil on canvas. On display elsewhere. Marie Louise of Bourbon (1662–1689)—or d’Orléans, as she was the daughter of the Duke d’Orléans—is represented as the Queen of Spain. Forced to abandon depictions adhering to the conventions of French portraiture in Pierre Mignard’s circle ...
