Christopher Walken
Johnny Smith
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The Dead Zone is a 1983 American science-fiction thriller film directed by David Cronenberg. The screenplay, by Jeffrey Boam, is based on the 1979 novel of the same title by Stephen King. The film stars Christopher Walken, Brooke Adams, Tom Skerritt, Herbert Lom, Martin Sheen, Anthony Zerbe, and Colleen Dewhurst.
The Dead Zone: Directed by David Cronenberg. With Christopher Walken, Brooke Adams, Tom Skerritt, Herbert Lom. A man awakens from a coma to discover he has a psychic ability to foresee future events.
- (78K)
- Drama, Horror, Sci-Fi
- David Cronenberg
- 1983-10-21
June 16, 2002. (2002-06-16) –. September 16, 2007. (2007-09-16) The Dead Zone, also known as Stephen King's The Dead Zone (in the USA) is a science fiction drama television series starring Anthony Michael Hall as Johnny Smith, who discovers he has developed psychic abilities after a coma. The show, credited as "based on characters" from ...
- Science Fiction Thriller Drama
The Dead Zone: Created by Michael Piller, Shawn Piller. With Anthony Michael Hall, Nicole de Boer, Chris Bruno, John L. Adams. Johnny had the perfect life until he was in coma for six years.
- (10K)
- 2002-06-16
- Drama, Fantasy, Mystery
- 60
The Dead Zone. The Dead Zone is a science fiction thriller novel by Stephen King published in 1979. The story follows Johnny Smith, who awakens from a coma of nearly five years and, apparently as a result of brain damage, now experiences clairvoyant and precognitive visions triggered by touch. When some information is blocked from his ...
The Dead Zone. NEW. When Johnny Smith (Christopher Walken) awakens from a coma caused by a car accident, he finds that years have passed, and he now has psychic abilities. Heartbroken that his ...
- (54)
- Mystery & Thriller, Sci-Fi
- R
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2 min read. “The Dead Zone” does what only a good supernatural thriller can do: It makes us forget it is supernatural. Like “Rosemary’s Baby” and “ The Exorcist,” it tells its story so strongly through the lives of sympathetic, believable people that we not only forgive the gimmicks, we accept them. There is pathos in what happens ...
